顏色2017

評(píng)分:7.3 播放:73萬(wàn) 更新:2026-04-25
主演: ??? 趙完真 

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鐵板燒

許冠文,葉倩文,葉麗儀,盧海鵬,車保羅,許英秀,黎小田,李燕萍,劉允,黃文慧

  阿黃(許冠文 飾)是一名料理師,個(gè)性有些輕浮又十分愛(ài)現(xiàn),但實(shí)際上,他是個(gè)名副其實(shí)的“妻管嚴(yán)”。阿黃和爺爺(許英秀 飾)一起住在岳父(盧海鵬 飾)家中,岳父性格武斷又強(qiáng)勢(shì),生活中阿黃免不了要受氣,日積月累下來(lái),阿黃的心中積蓄了許多不滿。  某日,一位名為施施(葉倩文 飾)的美麗女子出現(xiàn)在了阿黃的面前,她正是阿黃的夢(mèng)中情人。讓阿黃沒(méi)有想到的是,施施竟然對(duì)自己一往情深,還邀請(qǐng)他去菲律賓度假,這樣的好機(jī)會(huì)阿黃怎么能夠放過(guò),兩人遂即動(dòng)身。阿黃的妻子(鄒美儀 飾)和好友雪莉(葉麗儀 飾)得知此事,遂和父親一起,對(duì)阿黃展開(kāi)了“追捕”。

替補(bǔ)悍警

鮑勃·奧登科克,琳娜·海蒂,布倫丹·弗萊徹,亨利·溫克勒,布萊恩·川上,莎莫·H·豪威爾,德里克·巴恩斯,杰西卡·麥克勞德,Dan De Jaeger,Reena Jolly,勞倫·科克倫,大衛(wèi)·勞倫斯·布朗,卡森·納特拉斯,彼得·新田,辻將太,辛妮·比斯頓,比利·麥克萊倫,瑞恩·艾倫,艾倫·默克,Takahiro Inoue

 故事發(fā)生在一個(gè)名為“諾莫”的偏遠(yuǎn)小鎮(zhèn),這里看似風(fēng)平浪靜,實(shí)則暗流涌動(dòng)。主角尤利西斯在上一任警長(zhǎng)離奇意外身亡后,被委任為臨時(shí)警長(zhǎng)。當(dāng)鎮(zhèn)上的銀行被一對(duì)來(lái)自外地的夫婦搶劫時(shí),尤利西斯趕到現(xiàn)場(chǎng),卻發(fā)現(xiàn)這座小鎮(zhèn)平靜的表象下隱藏著更為險(xiǎn)惡的深層秘密——從酒保到神父,鎮(zhèn)上的每個(gè)人都是秘密的參與者。而一直試圖逃避過(guò)去心魔的尤利西斯,此刻必須揭開(kāi)這場(chǎng)犯罪陰謀的全部真相。

反叛行動(dòng)

麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內(nèi)森·庫(kù)珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro

一名冷酷且訓(xùn)練有素的殺手,自幼被培養(yǎng)于一個(gè)名為 The Internship 的 CIA 最高機(jī)密項(xiàng)目中。多年后,她決定摧毀這個(gè)奪走自己青春的機(jī)構(gòu)。她召集昔日的“實(shí)習(xí)生”同伴,發(fā)動(dòng)了一場(chǎng)血腥的反抗行動(dòng)——迫使 CIA 動(dòng)用同樣致命的力量來(lái)鎮(zhèn)壓他們。

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.