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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
彭大將軍
丁笑宜,古月,劉懷正,柴云清,王天鵬,黃中秋,谷永成,劉占坤,曹建中,浮學(xué)杰,謝志誠,毛玉文,張晏,李萬年,袁進,鄧茜,孫飛虎,孫達生,徐秋成,水天達,郭達影片以彭德懷同志在“文革”前和文革剛開始的經(jīng)歷為主體，不斷穿插閃回各種歷史片斷，用傳記片的手法反映了他富有傳奇色彩的一生，使觀眾對他光明磊落、胸懷坦蕩、剛正不阿德個性和雄才大略有了一個全面直觀的認識。影片從歷史的真實面貌出發(fā)，并沒有將主人公神化，而是將一個有血有肉可親可敬的領(lǐng)袖人物全面的展現(xiàn)出來。影片熱情地贊揚了彭總的赫赫戰(zhàn)功，謳歌了彭總剛正不阿、直言敢諫、堅持真理、不畏權(quán)勢的精神。相比較其他開過元帥，彭德懷的耿直和心胸是永存于歷史的。歷史，是不會磨滅他的功勞。人民，不會忘記他的功勞。
萬圣節(jié)傳說
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當(dāng)·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達納·古爾德1）名叫蒂米的男童怨靈會在萬圣節(jié)當(dāng)晚四處尋找糖果，甚至?xí)榇送陂_他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結(jié)果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時有個打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節(jié)變成災(zāi)難，當(dāng)然他們正為自己的所作所為付出代價；4）二男一女不良少年團伙在萬圣節(jié)之夜四處欺負他人，這時打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發(fā)生；9）兩個劫匪企圖在萬圣節(jié)綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個南瓜頭，結(jié)果南瓜頭突然活了過來，大鬧街頭。
崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎貝爾,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor NoorAn isolated town in Alaska where a contamination occurs after a minor meteorite explosion.
英宮艷史
查爾斯·勞頓,羅伯特·多納特,富蘭克林·迪亞爾,邁爾斯·曼德,勞倫斯·漢雷故事開始于十六世紀初，因為皇后凱瑟琳（賓妮·巴尼斯 Binnie Barnes 飾）無法生育，英國國王亨利八世（查爾斯·勞頓 Charles Laughton 飾）同她離婚，另娶了名為恩尼（梅爾·奧勃朗 Merle Oberon 飾）的女子為皇后，哪知道野心勃勃的恩尼整天盤算著推翻丈夫的統(tǒng)治自立為王，當(dāng)她的陰謀敗露之后，亨利八世親手將她送上了斷頭臺。恩尼死后，亨利八世娶了奇恩（溫迪·巴里 Wendy Barrie 飾）為妻，哪知道在生產(chǎn)時，奇恩因為難產(chǎn)而死，只留下了一個可憐的嬰兒威爾斯（邁爾斯·曼德 Miles Mander 飾）。之后，大臣們想要國王迎娶德國公主，可這一次，國王駁回了大臣們的請求。