神木麗 Rei Lakeside Lovers

　　一位天真的科學家索尼婭在離開她的象牙塔之后，卷入了一場國際黑幫團伙與跨國能源企業的激烈交鋒中，她在加拿大荒野地帶進行秘密研究。與兩位被貶謫的警察一起，她破壞了一場全球性的陰謀。然而，索尼婭的好奇心是要付出代價的。她失去了一切，并不得不決定是要逃跑還是要躲起來，或者去報復那個看似不可戰勝的對手.

　　影片講述了凱茜在丈夫去世兩年后，神奇地讓一個英俊的雪人復活的故事。雪人天真無邪，讓凱茜重新歡笑、重新感受和愛，兩人在節日來臨之際墜入愛河……而雪人還沒有融化。

　　一艘出發自二十世紀的宇宙飛船經過6個月的近光速飛行，相當于經歷了七百年時間，船長泰勒（查爾登?海斯頓 Charlton Heston 飾）設定自動飛行狀態后，飛船最終墜落在公元3978年的一顆陌生星球上。泰勒和兩名幸存隊員發現該星球與地球環境相當，而且竟然存在沒有語言能力靠采集為生的人類，不待泰勒進行進一步的考察，一群具有智能的人猿突然出現將一眾人類捕獲。原來這顆星球的主人是人猿，人類只不過是供他們捕獵研究的野獸，人猿博士基拉（金?亨特 Kim Hunter 飾）和男友康奈利分別進行著人類行為學和人猿歷史的研究，喉部受傷的泰勒暫時失去語言能力，但他的溝通行為很快引起了基拉的注意，在頑固的人猿學術界引發了爭議。一直設法爭取自由的泰勒不久終于發現了人猿星球的真相……

　　Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.