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雷霆營救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊陰謀:作家之死
本·金斯利,圖娃·諾沃妮,維羅尼卡·費瑞爾,邁克爾·伯恩,伊沃娜·庫斯圖迪奇,埃里克·約翰生,本諾·菲爾曼,桑德拉·迪金森,艾德克拉克庫珀,伊麗莎白·康塞爾,杰森·雷丁頓,安娜瑪麗亞·塞爾達,Gordan Kicic,格雷戈·洛基特,安格斯·肯尼迪,佩塔爾·西里卡生活是美好的
黃達亮,郝一平,趙鳳霞,王福友,金毅,薛偉君,鄭在石,郭允泰,付惠之,楊小凡,康瑾瑜,朱美玲,樊淑棣,譚鳴岐,汪寶生,史麗華,崔慕燕,王作梁,吳克堅牙仙歷險記
波波·斯圖爾特,杰琳·貝茨,拉金·貝爾母親往事
米洛·馬查多·格拉納,萊拉·貝蒂,約瑟芬·約比,喬納森·科恩,安娜·勒尼,讓娜·巴利巴爾,雪兒薇·瓦丹崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎貝爾,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor驚聲尖笑6
馬龍·韋恩斯,肖恩·韋恩斯,安娜·法瑞絲,雷吉娜·赫爾,小達蒙·韋恩斯,格雷格·韋恩斯,金·韋恩斯,本尼·齊爾克,卡梅倫·斯科特·羅伯茨,切里·奧特萊,克里斯·艾略特,戴夫·謝里登,海蒂·加德納,洛奇林·莫羅,奧利維亞·羅斯·基根,魯比·斯諾伯,哈薩尼·維貝茲·科默,西德尼·帕克,喬恩·亞伯拉罕斯,費莉莎·羅斯,薩凡納·李·梅,邁克爾·利維,比利·斯洛特,Kai Cenat同系列推薦
十二個想死的孩子
杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結菜,橋本環奈,吉川愛,萩原利久,渕野右登,坂東龍汰,古川琴音,竹內愛紗血路姐弟
尋龍訣·覓蹤
張涵予,姜武,盧靖姍,邁克爾·寇特斯,羅恩·斯穆安伯格,安德魯·達茲,史蒂文·達茲,馬文·布韋,Simon Shiyamba,Daria Gz,Lorenzo de Moor,Francesca Alice Antonini,Errol Trotman-Harewood,Alejandro Gil Mateos,Lola Dufour利益區域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言格斗家·父愛無聲
周惠林,白予晴,周小偉,張聿客房服務2024
Alif Satar,Sharifah Sakinah,呂楊,Shiqin Kamal,Norreen Iman,Khir Rahman,Josiah Hogan,Pablo Amirul,Didie Alias,Ropie,Maria Farida,Angeline Tan,Joanne Kam,Radhi Khalid,Sabrina Ali,Vikar,Deen Maideen幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
隕石
法國鄉野荒原,米卡與丹懷揣夢想卻厄運纏身。當丹再次搞砸一切,兩人被迫投奔發跡的老友托尼——如今的包工頭之王。困在混凝土牢籠中的他們,必須找到出路:逃離此地、擺脫麻煩、沖破生存困境。