　　女性攝影師莎拉（Alysson Paradis 飾）和馬西歐（Jean-Baptiste Tabourin 飾）這對幸福的夫妻組成的小家庭即將迎來新的成員，但一場嚴重的車禍摧毀了他們美好的憧憬。馬西歐在車禍中喪生，莎拉以及未出世的寶寶僥幸存活。　　圣誕之夜，孤獨的莎拉待在家中，等待第二天早晨的生產。這時敲門聲響起，一名黑衣女（Béatrice Dalle 飾）請求使用電話。莎拉本能地拒絕了她，誰知黑衣女竟千方百計想要闖進來。她的目的只有一個，搶奪莎拉那尚未出世的孩子。擋路者只有死路一條……

爺孫大學路

泰勒·派瑞,Bernardo Harris,Shekeb Sekander,Xica Brewer,本·斯威利,Patricia Williams

Madea的哥哥Joe陪同他的孫子B.J.進行了一次大學公路旅行。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

西區故事

安塞爾·艾爾高特,瑞秋·齊格勒,阿麗亞娜·德博斯,大衛·阿爾瓦雷茨,邁克·費斯特,寇瑞·斯托爾,布萊恩·達西·詹姆斯,麗塔·莫雷諾,寇蒂斯·庫克,凱文·科索拉克,麥迪·齊格勒,朱利葉斯·盧比奧,杰米·哈里斯,阿蒂夫·拉尼爾,何塞·拉蒙·羅薩里奧,克麗絲·懷特赫德,凱爾·艾倫,塔莉婭·萊德,貝爾·邁克爾斯 ,哈維·埃文斯,戴維·比恩,凱爾·休斯,基思·勒克里德·哈里斯

電影改編自1957年的百老匯音樂劇，講述了20世紀50年代紐約街頭的“噴氣機幫(Jet)”和 “鯊魚幫(Sharks)”之間的爭斗，以及分屬不同幫派的“苦命鴛鴦”托尼（安塞爾·埃爾格特飾）和瑪麗亞（瑞秋·齊格勒飾）的愛情。

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心中的惡魔

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格斗家

好想大聲說我愛你

梵蒂岡錄像帶

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身在其中

爺孫大學路

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西區故事

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