莫西小姐和她的貓朋友們看不起每個“與眾不同”的人。有一天，她和她心愛的人類Joosje（8歲）和她的父母去了法國。女房東Rita非常想和她的狗Tuur一起贏得《動物達人秀》。她看到音樂劇《莫西小姐》，當家人需要回家時，她綁架了她。莫茜小姐逃跑了。在路上，她遇到了兩個不太可能的旅行伙伴：Ayo，一只老燕子和Tuur。在他們的共同冒險中，莫西小姐意識到她的舊觀點是錯誤的，她理解真正的友誼意味著什么。

水晶心

劉文治,周嵐,蘇金榜,趙凡,孫海蒂

中文名水晶心出品時間1981年出品公司遼寧電影制片廠制片地區中國大陸導演張健佑，鄭會立編劇陳政安，鄭會立類型劇情主演劉文治，周嵐，蘇金榜，趙凡對白語言漢語普通話色彩彩色? 制作人：嘯空? 導演：張健佑；鄭會立? 副導演（助理）：管龍章；文金陵? 編?。宏愓?；鄭會立? 攝影：陳長安；周愚? 剪輯：張文琳? 美術設計：吳明? 燈光：王文起? 錄音：張鳳侶；王寶聲? 劇務：夏升玉；韓新；孫哲? 場記：哈門? 布景師：王永瑞? 副攝影劉善慶? 副美術鄭笑天? 特技攝影才汝質? 美術助理陳克陳兵? 作曲王酩朱鐘堂? 作詞凱傳? 獨唱葉佩英? 演奏遼寧歌劇院管弦樂隊? 指揮劉守義演員表角色演員配音備注來之清劉文治--------袁文萍周嵐趙文瑜----唐鳴蘇金榜--------陳瑩周嵐潘淑蘭----陳廠長趙凡--------小水晶孫海蒂吳紅纓----2電影劇情不久來之清被解除隔離唐鳴為了在袁文蘋面前逞英雄在愛因斯坦傳的扉頁上寫下"他才是真正的旗手"當追查時唐鳴怯懦了來之清坦然地代他承擔責任袁文蘋厭惡軟骨頭的唐鳴悄然離開學校到礦區當了教師粉碎"四人幫"以后來之清被分配到研制水晶產品的某國防工廠與唐鳴意外邂逅還遇到一位長得酷似袁文蘋的姑娘廠長的女兒陳瑩來之清精于專業一心撲在超高頻石英諧振器的研制工作上陳瑩被他的實干精神所感動對他十分敬仰正在追求陳瑩的唐鳴對此心懷嫉妒一個風雨交加的夜晚超高頻石英諧振器研制遭到失敗唐鳴與來之清爭吵起來他指責來之清和當年從他身邊奪走袁文蘋一樣又要奪走陳瑩氣憤之余來之清向唐鳴講述了袁文蘋的遭遇原來袁文蘋為找水晶礦早已死在荒僻的山村當來之清接到電報趕去時未見其人只見其墳從此來之清撫養了袁文蘋留下的一個孤女這時唐鳴才知道與來之清相依為命的小水晶就是自己的女兒就在這天夜晚來為來之清送傘的小水晶失足落河來之清失魂落魄痛不欲生超高頻石英諧振器終于試制成功了來之清帶著樣品準備到研究所去進一步測試當他即將乘船離去時陳瑩懷著深情前來為他送行陳廠長和一位民警抱著剛剛找到的小水晶也趕到碼頭小水晶大聲地呼喚著爸爸爸爸

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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