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木挽町復仇記
柄本佑,渡邊謙,長尾謙杜,北村一輝,瀨戶康史,瀧藤賢一,高橋和也,正名仆蔵,山口馬木也,愛希禮夏,井本絢子,野村周平,石橋蓮司,澤口靖子改編自永井紗耶子的同名小說，本作是以江戶歌舞伎町轟動一時的事件為背景的時代劇。某個雪夜，歌舞伎劇場附近發生美少年菊之助成功復仇的故事。事件因多人目睹而被傳為美談，但一年半后，自稱菊之助親屬的武士加瀨總一郎造訪劇場，聲稱“想知道復仇始末”。隨著相關者證詞逐漸揭露真相，復仇背后隱藏的秘密浮出水面。
這必須是個秘密
張榮男,劉慶秀,史蒂芬妮·李,玉智英,樸智一,樸智雅在江原道春川，高中老師鄭河平靜的日常生活被不速之客打斷。她的兒子振宇目前正在加拿大留學，卻帶著女友珍妮突然出現在學校。不久之后，珍妮的父母本應在加拿大，也抵達了春川。 在預訂住宿的混亂之后，這兩個互不相識的家庭最終在鄭河家住下。隨著這段陌生而尷尬的同居生活開始，他們的秘密逐漸被揭開，氣氛也變得越來越緊張……
鐵肺
馬克·費施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾希·洛夫洛克,艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷影片改編自2022年的同名獨立恐怖游戲。背景設定在名為“The Quiet Rapture”的末日之后，一名囚犯被迫深入血紅色的海洋，駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。
男子漢舞廳的女明星
迪力努爾,阿斯哈爾,木拉丁·阿不力米提,吐爾遜娜依博格達影視制片公司的副導演拜克力為尋找女扮男裝的女主角，費盡心機。就在他束手無策之時，人群中出現一個姑娘，她叫古麗，是一個藝術家庭的小保姆。她天資聰穎，極有個性，再加上她高超的藝技，使尼加提導演和拜克力大為賞識。古麗改成男孩裝束，由拜克力和編劇木拉提陪同，赴南北疆體驗生活。途中，他們和博格達民俗民情考察隊的六個男子漢相遇。夜晚，男子漢們在自己的氈房前歌舞，他們熱烈歡迎尋聲而來的古麗。古麗向他們展示了自己的舞蹈和武功，使隊長阿布力孜等男子漢改變了對這位小兄弟奶油小生的印象，男子漢氈房內絕妙的藝術品，也使古麗嘆為觀止。她決心跟隨男子漢們一起去體驗生活。古麗悄然出走，使拜克力怒火萬丈，木拉提卻感到創作的靈感正被開發，他平息了拜克力的怒火，決定跟蹤追擊。美麗的天鵝湖畔草原上，正舉行那達慕大會，古麗和男子漢們興奮地參加了這一盛會，她還暗暗愛上了阿布力孜。半夜，古麗在院內閑逛，卻碰上了搜尋而來的拜克力和木拉提。情急中，古麗跳上一匹駱駝逃走。后來，古麗和阿布力孜男子漢們重會在南疆某市的水果節上。在阿布力孜家中；古麗驚訝地發現盛裝的索非婭。原來，索菲婭曾是阿布力孜的女友。古麗為難地悄悄離去。阿布力孜急忙出去尋找。同時向索菲婭表示他們不再繼續相愛。紅山谷，占麗得到《死?！穭〗M導演的賞識，成功地做了替身，男子漢們扮演了打手。古麗的馬受到驚嚇，狂奔起來，她摔下來昏迷過去。醫院里，阿布力孜發現古麗是個姑娘，他驚呆了。華麗的大廳內，尼加提導演興奮地宣布古麗體驗生活圓滿完成，正式擔任影片女主角，阿布力孜擔任男主角。古麗跑出大廳，面對美麗的夜色，流淚了。阿布力孜追了出去，二人緊緊地依偎在一起。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
薩利姆鬼屋事件
小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone新警長一家住進了免費的一個很大的老房子里,但里面卻有.... The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.
414區
蓋·皮爾斯,崔維斯·費米爾,約翰內斯·豪克爾·約翰內森,科林·薩蒙,奈德·丹內利,瑪蒂爾達·魯茨,喬納森·阿里斯,安東尼婭·坎貝爾-休斯,歐文·弗熱瑞,瑪吉·克羅寧,Jorin Cooke,Holly Demaine故事背景設置在不遠的未來世界，在414區的人型機器人殖民地中，私家偵探大衛·卡邁克爾(皮爾斯飾)受雇于癡迷商業世界的財閥馬龍·維特(費米爾飾)去尋找后者叛逆的女兒?？ㄟ~克爾需要與高度智能的機器人(魯茨飾)通力合作，而在這個過程中，關于414區和“機器人之城”起源的罪行也浮出了水面。