欲望和智慧
宮釹瑪雅自幼和公主一起學習舞蹈，駝背王子比基一直對瑪雅情有獨衷。瑪雅越長越漂亮，越來越比公主聰慧善舞，公主的嫉妒心也越來越強烈，而瑪雅對社會地位懸殊的抵抗心理也同樣十分強烈。 鄰國的王子來結親，在新婚前夜的宴會后瑪雅誘惑了王子，在公主大婚的前夜得到了王子。比基向王后要求得到瑪雅為妻被拒絕，憤慨之丅祂揭發了瑪雅和王子的行為，瑪雅被趕出宮廷。新婚之夜的婚床上，王子在忘硪的時刻喊出了瑪雅的名字，兩夫婦不歡而散。 流浪的瑪雅被宮廷雕刻師杰古瑪發覺，把她推舉給教授xing經;卡馬蘇拉 的拉薩。幾經接觸，瑪雅逐漸噯上了英俊而有才華的杰古瑪，但杰古瑪可怕瑪雅的噯情會影響祂對藝術和事業的追求而拒絕了她。瑪雅聽從拉薩來自;卡馬蘇拉;的教誨，放棄對噯情的癡迷，一心學習xing經，希望由此能夠得到侽人的心。
即刻觀影
劇情賞析
編輯推薦
無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發生在波士頓，巴恩斯扮演的尼克是一位意大利裔的美國年輕人，躊躇滿志的他加入波士頓黑手黨，決心開創一番事業，卻發現這個犯罪組織早已不復昔日之勇。 于是尼克背著他的老板（《落水狗》、《壞中尉》男星哈威·凱特爾飾），自立門戶，擴張版圖，希望重塑往昔的輝煌。一手金錢，一手美人（莉頓·梅斯特飾），尼克完全不知道自己正走在危險的懸崖邊。
有罪，AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內悠陽,小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風吹淳,國村隼新人法官高遠寺圓（芳根京子飾）每日忙于庭審中的證人詢問、審閱證據與鑒定報告、檢索判例以及撰寫判決書等工作。某日，圓被委以重任，負責測試性引入法院的AI系統“法神”。當輸入過往審判數據后，“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無二致，判決結果也完全一致。法官們為工作效率的飛躍提升欣喜不已，唯獨圓對“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負責一宗18歲少年刺殺生父的案件。作為審判長的檜葉在開庭前將數據輸入“法神”進行判決模擬，AI瞬間給出的判決是“死刑”。 對AI能力深感興趣的檜葉。對AI愈發警惕的圓。當陪審員們也卷入其中時，人們再度直面探尋真相的艱難困境。究竟誰能辨明真相？是AI？是人類？還是??? 這部社會派娛樂作品直面當下以驚人速度滲透社會的AI技術，深刻叩問使用AI的人類應有的姿態！
阿特拉斯聳聳肩2
薩曼莎·瑪西絲,杰森·貝蓋,埃塞·莫拉雷斯,帕特里克·法比安,金·羅德斯,理查德·T·瓊斯,D·B·斯威尼,保羅·麥克蘭尼,約翰·魯賓斯坦,羅伯特·皮卡多,雷·懷斯,戴德里克·巴德,巴格·霍爾,阿爾耶·格羅斯,瑞克斯·林恩Feature adaptation of the 1957 novel by Ayn Rand.
荒村怪談
李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪規則怪談！鬼村見鬼！千年荒村自古有＂人鬼相處規則＂。青年男女結伴夜闖陰山鬼林，破壞規則，導致鬼靈還魂，鬼嘯瘆人，鬼影駭人，鬼殺奪命！一個美艷女子突然被鬼現鎖喉，另一個精壯青年又被鬼爪掏心……陰風陣陣，尖叫四起，一場排隊送人頭的祭獻大戲陰森上演，生者想死無門，卻又無處可逃！究竟是千年的冤魂沖破魔咒到人間索血啜飲？還是古老地獄中逃出的怪獸掠殺食人？土匪也驚恐逃亡，獵手也慌不擇路！夜半的茅草屋，怪叫撕心裂肺，鬼臉貼窗凝望，野鬼BOSS終將現行，終極＂規則絕殺＂如期而至！眾人早已靈魂出竅，一具具行尸走肉又將如何戰栗？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
沉默的艦隊2
大澤隆夫在酷寒的北方海域，核潛艇大和號伴隨著莫扎特的旋律，開始了駛向紐約聯合國總部的深海航程。在美俄交界的白令海峽，一艘性能全面碾壓大和號的美國核潛艇正悄然逼近。此刻，寒冷的北冰洋上，碎裂的浮冰之間，一場激戰就此拉開帷幕。