男與女.avi

評分：6.0 播放：58萬 更新：2026-06-20
主演： 未知/

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茱莉亞·古丹妮·泰勒斯,阿什利·祖克曼,凱特琳·杰拉德,迪倫·麥蒂

　　西部荒野，住著麥克林夫婦——伊薩克（阿什利·祖克曼 Ashley Zukerman 飾）和莉茲（凱特琳·杰拉德 Caitlin Gerard 飾）。這里條件艱苦，環(huán)境惡劣，人煙稀少，野獸橫行。莫大的孤寂令莉茲時常警惕地環(huán)視四周，防備一切可能的危險。某天，哈普爾夫婦——吉迪恩（迪倫·麥蒂 Dylan McTee 飾）和艾瑪（茱莉亞·古丹妮·泰勒斯 Julia Goldani Telles 飾）搬到了麥克林家附近，成為他們的鄰居。兩家人很快就成了好朋友，特別是莉茲有了艾瑪這個好姐妹，似乎心理也正常了許多。　　好景不長，某晚艾瑪?shù)那闆r變得很糟糕，她擔心神秘的存在將危及她的孩子。荒野大風卷起，烏云密布……

告白

松隆子,岡田將生,木村佳乃,西井幸人,橋本愛,蘆田愛菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹,能年玲奈,新井浩文,野本螢

 一所平凡的中學，1年B組即將迎來春假。不知天高地厚的學生們肆意吵鬧，殊不知一場綿亙數(shù)月的風暴正向他們襲來。級任教師森口悠子（松隆子 飾）全然無視這片混亂，靜靜地向?qū)W生們做出最后的告白。這個單親媽媽獨自撫養(yǎng)著可愛的女兒（蘆田愛菜 飾），然而女兒最終在游泳池中溺水身亡。警察 認定這是一起意外，森口則認定女兒死于班上兩個學生之手。她不動聲色地指責著犯人A和B，并宣布用自己的方式進行復仇。在此之后，森口辭去教師職務(wù)，1年B班的學生也心懷惴惴迎來了春假。新學期開始，殘酷的風暴襲向了這群無知無畏的少男少女……本片根據(jù)湊かなえ的原作改編，并成為2010年電影旬報十佳影片；第34屆日本電影學院獎最佳作品、最佳導演、最佳劇本和最佳剪輯4項大獎。

殺他的100種辦法

 車禍后，林晚與“地獄使者”簽下“重生”契約，潛入記憶迷宮獵殺“惡魔”丈夫。然而隨著世界詭異崩塌，她發(fā)現(xiàn)這場復仇游戲背后，竟隱藏著一個顛覆生死的駭人秘密......

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.