性感騷婦背著老公和小情人打撲克

1.9 播放:82萬 2026-06-07
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性感騷婦背著老公和小情人打撲克

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特工迷陣

杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當(dāng)斯,石原崇雅,斯蒂芬·魯特,大衛(wèi)·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛(wèi),邁克·愛德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽,莉迪亞·佩克漢

講述一對性格迥異的同父異母兄弟——哥哥是行事沖動的偵探,弟弟是紀(jì)律嚴(yán)明的海軍海豹突擊隊員——因父親在夏威夷遇害而被迫聯(lián)手,踏上一場危機四伏的追尋之路,誓要揭開背后隱藏的驚天陰謀。

三國的星空第一部

檀健次,路金波,旺旺,任俊鵬,楊衛(wèi),良生,方浩然,沉寂,囧森瑟夫,一舟,肖合來提·艾尼,巽辰,易中天,李瀟宇,蔣鉦圣,陳一伊,何梓騫

  東漢末年,天下大亂。曹操討董卓、迎天子、戰(zhàn)官渡,成為一代英豪,與袁紹和劉協(xié)等人一起用選擇和行動回答了“我從哪里來?我的使命是什么?我是天上哪顆星?”

喪尸特警

特里特·威廉斯,喬·皮斯科波,琳賽·福斯特,達倫·麥克加文,文森特·普萊斯,克萊爾·科克奈爾,陸錫麒,羅伯特·皮卡多,梅爾·斯圖爾特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里維斯

 兩位壯漢刑警在調(diào)查一起銀行劫案時,發(fā)現(xiàn)犯罪分子居然個個刀槍不入。根據(jù)線索,他們找到一家公司,似乎最近的很多案件都和這家公司的一個秘密實驗室有關(guān)。后來,此兩位硬漢在與犯罪分子的斗爭中不幸相繼殉職,但這恰好給他們創(chuàng)造了機會——兩個人亦成為試驗品,他們的尸體即將被一個懷揣著極大陰謀的邪惡博士所利用……然而,哼哼,英勇的人民公安是不會向犯罪集團低頭的,you can't keep a good cop dead!

我最特別的朋友

張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜

真正的友情從無關(guān)身份,而是兩個迷茫的靈魂恰好相互照亮。生活失意的老鄭與無處可去的亮亮相遇,老鄭意外成為網(wǎng)紅,而亮亮成了他身邊最堅定的搭檔。                                                                        兩人一路同行,也在彼此的生命中照進光芒。一段身份懸殊的特殊友誼,在笑淚交織中悄然生長。                                                                        然而,當(dāng)老鄭在流量中逐漸迷失走向失控,這段關(guān)系也迎來了前所未有的考驗……他們,能否成為彼此最特別的那束光?

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

留存的愛

莎加·加達斯多蒂爾,斯瓦利爾·古德納松,伊達·梅金·赫林斯多蒂爾,英格瓦·埃蓋特·西古德松,安德斯·莫索林,卡特拉·M·索爾蓋爾斯多蒂爾,哈德爾多爾·拉克斯內(nèi)斯·哈德爾多爾松,克里斯廷·古德蒙德松,格里穆·赫利尼森,索吉爾斯·赫林松

影片以一年四季為時間軸,講述一個冰島家庭在父母分居期間的生活。女主人公安娜是位視覺藝術(shù)家,剛失去工作室的她開始在戶外創(chuàng)作。她的丈夫馬格努斯是名漁夫,常年在海上作業(yè),卻拒絕接受婚姻已走到盡頭的事實,不斷回到曾經(jīng)的家中。