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變態(tài)殺手
喬治娜·坎貝爾,詹姆斯·普雷斯頓·羅杰斯,馬爾科姆·麥克道威爾,洛根·米勒,Grace Dove,艾倫·默克,Joshua Banman,Cassandra Ebner,達(dá)倫·馬爾滕斯,辛妮·比斯頓,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凱文·麥金太爾,Robert Nahum,Yan Joseph,Brodie Sanderson洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson昭和殘俠傳 唐獅子牡丹
高倉健,三田佳子,池部良,津川雅彥喜羊羊與灰太狼之異國破曉
背后有人2025
鄭文森,王子涵,鄒超軍,劉剛,萬斯佳與王生活的男人
柳海真,樸志訓(xùn),劉智泰,田美都,李浚赫,樸智煥,金旻同類精選
不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李附身
阿比蓋爾·布雷斯林,大衛(wèi)·休萊特,史蒂芬·麥克哈蒂,彼得·奧特布里奇,米歇爾·諾爾頓,薩曼莎·溫斯坦看得見時間的男人
余洺軒,郭寬刺客密碼
賈斯汀·查特文 Justin Chatwin 彼得·斯特曼 Peter Stormare Mark Thompson冬脊
馬特·霍金斯,奧爾雯·凱瑟琳·凱莉,漢娜·沃丁厄姆彼岸2025
瑟比耶·比赫緹婭,弗雷德·赫辛格,Alicher Adill,伊麗努爾·艾爾肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·馬,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃爾·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,瑪瑞娜·卡貝洛,Austin Owens Kelly影視排行
吉時已到2026
圓子,無恙,南宮承,南宮宇,單貳叁,啵啵,靈川,花花,謝居海,吳國慶無公司,無投資,無AI,一部由愛好者手搓的原創(chuàng)中恐無限流大電影,融合昆曲非遺文化。歡迎玩家進(jìn)入《牡丹亭·喜宴》副本。
終極囚禁
Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw美國德州一所高中,以布萊德利(賈斯廷·阿諾德 Justin Arnold 飾)為首的一眾男女學(xué)生風(fēng)生水起,橫行霸道,經(jīng)常以欺負(fù)人為樂趣。印度裔學(xué)生萊比(Vincent Silochan 飾)、瘦小的戴恩(馬克·多納托 Marc Donato 飾)和有些內(nèi)向自閉的女孩艾米莉(林德賽·西德爾 Lindsay Seidel 飾)等人更是他們優(yōu)先欺負(fù)的對象。學(xué)校的狀況已然如此,與親人的關(guān)系又分外冷淡和緊張,戴恩他們的生活看不到一點兒希望。 8個月前,戴恩的叔叔去世,留給他一座偌大的農(nóng)場作遺產(chǎn)。飽受欺負(fù)且試圖自殺的他找到和自己同病相憐的幾個人,他們決定把學(xué)校的小霸王們請到舉行派對,在勁歌熱舞之中展開準(zhǔn)備已久的血腥復(fù)仇……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
克羅克特先生
杰瑞卡·辛頓,Alex Alomar Akpobome,埃爾維斯·諾拉斯科,Kristolyn Lloyd,Lyla Randall,Akim Black,Gina Jarrin,Ayden Gavin,Melanie Christine Leon-Soon,Riley Vinson,Matthew LB McCollum,Jabari Striblin1993 年,發(fā)生了可怕的事件:一個神秘的兒童節(jié)目主持人克羅克特先生神奇地從電視機中出現(xiàn),綁架了年幼的孩子殺害了其父母。而在克羅克特先生綁架了女主的兒子之后,女主開始了危險的追尋之旅,她要找到這個惡魔,救出她的兒子。