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疾患
杰西卡·羅德,約瑟夫·克羅斯,Julianna Layne最后一根稻草
杰瑞米·西斯托,杰西卡·貝爾金,格倫·古爾德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦爾斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen村在天堂邊
Axmen Cali Faarax,Canab Axmed Ibraahin,Ahmed Mohamoud Salleban,Axmed Cabdillahi Ducaale,Maxamed Xaaji Cabdi Fadax,Maxamed Axmed Maxamed,Maxamed Maxamuud Jamac,Maxamed Xusen Xasan,Aamino Saalad Gureey,Abdirisaq Daahir Khalif,Adbirisaq Ciise Cawad,Faadumo D急轉(zhuǎn)直下
凱特·貝金賽爾,斯科特·伊斯特伍德,馬特·克拉文,安娜·戈?duì)柤?塔利亞·亞瑟拉夫,阿文·卡納尼安,亞歷杭德拉·霍華德,羅伯特·法里奧爾,喬丹·杜維尼奧,馬達(dá)萊娜·瓦萊基·威廉姆斯,帕滕·休斯,馬西莫·麥奎因芭比之美人魚歷險(xiǎn)記
諾曼底72小時(shí)
安德魯·斯科特,布蘭登·費(fèi)舍,凱瑞·康頓,克里斯·梅西納,戴米恩·路易斯,亨利·阿什頓,康·奧尼爾,塔姆馨·托波爾斯基,威爾·柯班,丹尼爾·奎恩-托伊,邁克爾·本茨,杰米·B·錢伯斯,哈里森·奧斯特菲爾德,泰勒·厄特利,理查德·克洛西爾,麥克斯·克羅斯,喬舒亞·希爾,托比·威廉姆斯,羅莎娜·布朗,保羅·貝利同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡靈重喪
Joshua Suherman,Irsyadillah,Annette Edoarda5個(gè)寄養(yǎng)兄弟姐妹團(tuán)聚回憶，突然經(jīng)歷了一場災(zāi)難。最小的妹妹無法得救。事故發(fā)生后，四個(gè)兄弟姐妹被最小的妹妹嚇壞了。靈媒說，小妹妹不冷靜，她有話要說。四個(gè)兄弟姐妹發(fā)現(xiàn)了，這是什么？
荒漠惡種
凱特·林恩·希爾,斯科特·黑茲,Alex Montaldo一名男子在加利福尼亞沙漠徒步旅行時(shí)，發(fā)現(xiàn)自己的車不見了。當(dāng)他四處尋找時(shí)，他跟著一個(gè)流浪的男孩，最終來到了一個(gè)年輕女子占據(jù)的偏遠(yuǎn)小屋。兩人之間發(fā)生了一種奇怪的動(dòng)態(tài)，伴隨著幾次與威脅女孩的男孩的暴力沖突。當(dāng)這個(gè)男人意識(shí)到他掉進(jìn)了一個(gè)精心設(shè)計(jì)的陷阱時(shí)，想要避免他將要遭受的可怕后果已經(jīng)太晚了。《種子》是作家兼導(dǎo)演巴納比·克萊的一部大膽、噩夢般的處女作，他的著名mv作品包括Gnarls Barkley的歌曲、“YYYs”等。這部慢熱的震撼劇講述了有毒的男子氣概和我們對孤立的恐懼，它有效地呈現(xiàn)了一個(gè)男人在面對絕望和生存之戰(zhàn)時(shí)心理的惡化。作為新人，巴納比·克萊是一位不可忽視的導(dǎo)演。(南宗錫)
不能犯
松坂桃李,澤尻英龍華,新田真劍佑,安田顯,間宮祥太朗,真野惠里菜,蘆名星,矢田亞希子,菅谷哲也,岡崎紗繪,忍成修吾,水上劍星,水上京香,今野浩喜,堀田茜,小林稔侍《不能犯》改編自宮月新原著、神崎裕也作畫的同名漫畫，里面的主人公“電話亭之男”（松坂桃李）是一名類似于《死亡筆記》中夜神月的暗黑英雄，專殺那些本身有罪但沒有受到法律懲戒的人。
捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠(yuǎn)藤憲一,藤澤涼架,新原泰佑,前原瑞樹,堀井新太,坪倉由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉本片改編自同名小說。貝多芬（古田新太 飾），眾人心中的孤高天才，原來竟是秘書一手捏造的“神話”？本片揭開歷史迷霧，講述一個(gè)粗俗邋遢的真實(shí)貝多芬，如何在忠實(shí)秘書辛德勒（山田裕貴 飾）的筆下，被改寫成永垂不朽的圣人音樂家。