劇情簡介
想要婚姻關系的舞子，因為丈夫工作繁忙，只能獨自滿足自己的性欲。陰沉地看著舞子的公公再也忍不住了，瞄準了兒媳婦的身體。舞子試圖拒絕這一點，但漸漸地，在刺激的引導下，她接受了公公的撫摸，并享受了很長一段時間以來的第一次高潮。此后，為了追求難忘的快樂，舞子再次請求公公擁抱她。所以，每次丈夫離開家時，她都會釋放出在公公懷里積聚的欲望
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遲來的憤怒
安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯威尼斯的地平線單元中，出現了這樣一部電影，不扯人性，“三觀”卻正到讓人大呼過癮，這就是講述了一個干脆利落的復仇故事的西班牙電影《遲來的憤怒》。 影片講述了一個男人為了替在搶劫案中慘死的女友和變成植物人的老爸報仇，潛伏八年，甚至睡了搶劫團伙司機的孩子他媽，只為等他出獄，威脅他，順藤摸瓜找到躲藏起來的真兇們，一個一個復仇。
利摩日陽臺
安妮·莉絲·海姆伯格,法比恩·巴布,安東尼·巴滕迪爾,羅倫納·席琳,?帕特里斯·加萊特,杰羅姆·普利,埃米利安·泰瑟格拉迪絲是一位五十多歲的女性，生活在社會的邊緣，沒有住所、沒有醫保卡、沒有銀行賬戶。對她來說，一切都無關緊要，甚至對于性、酒精或跳舞的享受也都不重要。一天早上，她偶然遇到了尤金妮，一位高中時的朋友。尤金妮試圖違背她的意愿去幫助她。
邁克爾·杰克遜：巨星之路
賈法爾·杰克遜,尼婭·朗,勞拉·哈里爾,朱利亞諾·瓦爾迪,邁爾斯·特勒,科爾曼·多明戈,喬·吉列特,卡特琳娜·格蘭厄姆,拉倫茲·泰特,德里克·盧克,杰西卡·蘇拉,漢克·諾思羅普,肯德里克·桑普森,約瑟夫·戴維-瓊斯,內森尼爾·洛根·麥金太爾,凱林·多瑞爾·瓊斯,邁卡·麥克尼爾,莫妮克·林賽,奧利維婭·塔卡格什,凱蒂·凱影片講述邁克爾·杰克遜在音樂之外的人生旅程，從他以杰克遜五人組主唱之姿被發掘出驚人天賦的那一刻起，直到他成為一位極具遠見的藝人，他以無窮無盡的創作能力激勵自己成為全世界最偉大的娛樂巨星。這部電影同時呈現邁克爾·杰克遜舞臺之外的真實人生，并且重現他早期個人演藝生涯中最具代表性的經典表演，這部電影為觀眾提供最貼近的視角，以前所未見的方式窺探這位流行天王的內心世界。他的故事就此展開。
一起過家家
宋木子,蔣詩萌,合文俊,夏甄,葉泉希,李飛,陳璽旭,楊九郎,衣云鶴,馬旭東,李曼,土豆妻子鮑一萌是頭部帶貨主播，丈夫宋李是全職丈夫，弟弟鮑鵬在復讀備戰高考。一天，三人意外發現互換身體。全家的靈魂與身體分別錯位。全職丈夫宋李（小舅子身）重回學校，懷念青春中彈琵琶的夢想，但繁重的學習生活，讓他感到力不從心。復讀生小舅子鮑鵬（妻子身）不懂管理公司，并在直播時狀況百出，女神小靜的奮斗讓他慚愧。主播鮑一萌（丈夫身）在輔導女兒的生活中發現，做家務和帶娃并不簡單。相比之下，丈夫開明的教育方式仿佛讓女兒的成長更美好。一家人決定支持宋李（小舅子身）重拾琵琶參與音樂比賽。深夜，宋李三人被關在冷藏車內被凍得奄奄一息。他們終于換回來了！一家人的生活重新回到正軌，和諧美滿。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大明嬪妃之選秀
何杜娟,關慧卿,思漩,陳一諾,王春妹,朱一龍皇太子爭選太子妃，蘭心本有所愛，卻不得不進到太子府，因為才華出眾，深得皇太子和紀淑妃的喜愛，蘭心被嫉妒和排擠，在太子府里受盡磨難！ 其實一切陰謀都是秀女姚芊芊設計的，姚芊芊是萬貴妃的人，自己參選秀女就是為了接近太子，協助萬貴妃鏟除太子，雖然她心中也另有所愛，但不得不去爭選太子妃，鏟除一切阻礙自己當上太子妃的秀女。 姚芊芊陷害蘭心通奸，差點害的蘭心被賜死，關鍵時刻蘭心被梅兒所救。幾日后公布太子妃人選之時，紀淑妃為了顧全大局，還是讓姚芊芊當上了太子妃，姚芊芊十分痛苦內心掙扎，蘭心、梅兒、金碧瑤當上側妃，大家各懷念想……。
哀牢山
閔星翰,付妤舒,霍衛民,鄭嘉廷,索微,王碩,梁晶晶,趙天戈哀牢山靈異事件轟動一時，來自六名露營的高校學生，前往云南哀牢山原始森林。誰也沒有想到一次平常的露營探險任務，竟然成了一次詭異的死亡序曲。他們進入哀牢山地帶僅僅過去幾天，就全部無人生還。比較離奇的是，當搜救者發現這幾位遇難者時，有兩位遇難者的死狀非常詭異！