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同款熱播
村民總動員
阿圖爾·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,喬安娜·特茲佩西絲卡,Cezary Zak,維克多·茲波羅夫斯基哈莉娜因為經濟困難被迫取消了婚禮，于是她的親友們決心制定一個瘋狂的計劃來吸引游客，增加收入。
非禮勿視2
卡恩,丹妮爾·哈麗絲,凱瑟琳·伊莎貝爾,卡吉-埃里克·埃里克森,切蘭·西蒙斯,格雷斯頓·霍爾特,李·馬賈道布,Michael Eklund,Reese Alexander,Kelly-Ruth Mercier,Lynn Colliar,Nancy Bell,克里斯蒂娜·懷道爾,Samantha Noble,史蒂文·維德勒某座城市的驗尸房，艾米（丹妮爾·哈麗絲 Danielle Harris 飾）行色匆匆，準備參加親朋為她準備的生日派對。而就在此時，慘無人道的大屠殺在城中另一個角落發生，九人遇害，而屠戮他們的兇手雅克布·古德奈特（Glen Jacobs 格蘭·“凱恩”·雅克布 飾）也在救護車上咽下最后一口氣。眼看派對泡湯，艾米只得和同事賽斯（卡吉-埃里克·埃里克森 Kaj-Erik Eriksen 飾）打起精神準備接收送來的尸體。而就在此時，艾米的哥哥威爾（格里斯頓·霍爾特 Greyston Holt 飾）帶著凱拉（切蘭·西蒙斯 Chelan Simmons 飾）、塔瑪拉（凱瑟琳·伊莎貝爾 Katharine Isabelle 飾）等好友潛入驗尸房，精心為妹妹準備了盛大歡快的派對。 膽大妄為的男女們縱情歌舞，卻不料雅各布已悄然醒來……
午夜場
范夢,馮言彥,鄧先宇,歷家兵,李子雄《午夜場》講述了戲院經理林梅（范夢飾演）與戲院大小姐子君（馮言彥飾演）是無話不談的閨蜜，在子君即將結婚前，無意間發現林梅好似和自己的未婚夫家俊（鄧先宇飾演）有著某種不為人知的關系。某一天，在他們工作的三十七號古宅內，一場備受關注的木偶劇目正在上演，而神秘的木偶附身也即將開始。隨著現實詭異畫面與林梅的夢境交織，令人意想不到的真相浮出水面！
忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus KuncoroA narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.
雨和閃電的氣息
麥卡·夢露,瑪姬·格蕾斯,布拉德·卡特改編自著名推理作家南希．皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster