劇情簡(jiǎn)介
妻子尚熙的行為很奇怪..動(dòng)不動(dòng)就去哪兒,打電話也不接,問也不回答,丈夫東錫懷疑妻子的奇怪行為,直到他在妻子的車上發(fā)現(xiàn)了一張名片,并找到了一個(gè)地址,而在那,也發(fā)生了奇妙的事海外影院APP
為你推薦
驚蟄無聲
易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩詩,劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡你看不見的地方,諜戰(zhàn)從未停止交鋒!我國最新戰(zhàn)機(jī)的涉密信息外泄,國家安全面臨威脅,國安小組迅速行動(dòng)抓捕間諜,在信任與背叛的漩渦中,一場(chǎng)驚心博弈悄然上演……
女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫斯·克雷格,卡羅琳·吉利斯來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實(shí)與她們的信仰相協(xié)調(diào)。通過背景故事,我們看到一個(gè)婦女社區(qū)聚集在一起,研究如何共同前進(jìn),為她們自己和她們的孩子建立一個(gè)更美好的世界。要么留下來戰(zhàn)斗,要么離開。她們不會(huì)什么都不做。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
母雞2025
雅尼斯·科基亞斯梅諾斯,瑪麗亞·迪亞科帕納約圖,阿吉里斯·潘達(dá)扎拉斯,馬赫穆特·巴梅爾尼,克羅尼斯·巴巴里安,安東尼斯?卡非祖羅普斯,尼克斯·凱提斯,迪米特里斯·佩雷吉斯,安東尼斯·齊奧齊奧普洛斯一只萊亨雞從冰冷的工業(yè)化養(yǎng)殖場(chǎng)逃離,踏上未知的流浪之旅。它闖入一家家族經(jīng)營(yíng)的小餐館,在雞舍中找到棲身之所,這里卻暗藏人口走私的黑暗交易。母雞一心筑巢繁衍,為守護(hù)未來的蛋對(duì)抗貪婪的餐館老板,在生存本能的驅(qū)使下步步為營(yíng)。與此同時(shí),餐館里的人類故事暗流涌動(dòng),一場(chǎng)悲劇正在悄然上演,母雞的母性抗?fàn)幣c人類世界的殘酷現(xiàn)實(shí),在同一屋檐下交織上演。
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley媒體從業(yè)人員帕特里克·卡特(肯塔克爾·德利 Kentucker Audley 飾)意外聯(lián)系到了失蹤許久的姐姐卡羅琳(艾米·西米茨 Amy Seimetz 飾)。卡羅琳當(dāng)初曾在戒毒所治療,如今住進(jìn)了一個(gè)名為“圣伊甸園”的地方,并自稱過上了烏托邦般的生活。為了弄清姐姐的下落,帕特里克和同事兼好友山姆·特納(AJ·鮑恩 AJ Bowen 飾)、杰克·威廉姆斯(喬·斯萬博格 Joe Swanberg 飾)啟程前往圣伊甸園的所在地調(diào)查。這座樂園位于一個(gè)鮮為人知的隱秘所在,許許多多生活中經(jīng)歷痛苦和坎坷的人們,在“父親”(吉恩·瓊斯 Gene Jones 飾)的感召和撫慰下重獲新生。 出于媒體人的敏感,山姆取得了和“父親”對(duì)談的機(jī)會(huì),但他卻從對(duì)方幽默機(jī)智的談吐中嗅到了一絲殺氣……
金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費(fèi)蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈?duì)?杰米·加扎里安一個(gè)搖滾樂隊(duì)的鼓手(里茲·阿邁德)突然發(fā)現(xiàn)自己失聰,他的樂隊(duì)搭檔露(奧利維亞·庫克)和他都很懊惱,但又不得不面對(duì)這殘酷的現(xiàn)實(shí)。影片去年在多倫多電影節(jié)首映,作為導(dǎo)演處女作獲得媒體好評(píng)。
ST紅與白的搜查檔案電影版
藤原龍也,蘆名星,岡田將生,志田未來,瀨戶朝香,渡部篤郎,洼田正孝,林遣都,水上劍星,三宅弘城,柴本幸,田中哲司國際大都會(huì)日本東京,光天化日之下發(fā)生了性質(zhì)極其惡劣的搶劫案。某個(gè)十字路口發(fā)生詭異的交通事故,科學(xué)搜查班(ST)的各位順藤摸瓜查清了事故的始作俑者——天才黑客鏑木徹(中山裕介 飾)。但是ST的領(lǐng)導(dǎo)者赤城左門(藤原龍也 飾)面對(duì)眾人對(duì)鏑木的指控閃爍其詞,他支開百合根友久(岡田將生 飾),獨(dú)自前往鏑木的住所。未久,鏑木葬身火海,而赤城作為重要嫌疑人被同僚拘捕。青山翔(志田未來 飾)、結(jié)城翠(蘆名星 飾)、黑崎勇治(漥田正孝 飾)、山吹才藏(三宅弘城 飾)等手下自然不會(huì)相信赤城的認(rèn)罪供詞,他們想方設(shè)法要查清真相,而百合根更為此故意犯罪進(jìn)入拘留所,試圖近距離聽取赤城的心聲。而就在關(guān)鍵時(shí)刻,赤城越獄逃亡…… 本片根據(jù)今野敏的原作改編。