日本女主播-つきれあな-29

 一位心理治療師的病人在一次詭異的事故中“切入”（No-clip）到了一個(gè)超越現(xiàn)實(shí)的奇異維度。為了帶回病人，這位治療師不得不親自踏入那片無邊無際、充滿黃色壁紙和嗡嗡熒光燈響聲的未知迷宮。該片改編自凱恩·帕森斯在YouTube上創(chuàng)作的一系列爆紅的“后室”題材恐怖短片。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

一天清晨，刑警驚覺自己的搭檔失去了音訊。事實(shí)上，搭檔在夜晚返家的途中，意外目睹一起犯罪行為。不料現(xiàn)場突然發(fā)生提款機(jī)爆炸，她身受重傷，隨即被犯人綁走。

為了考驗(yàn)自己的極限，莎夏（查理茲·塞隆 飾）深入偏僻無情的澳洲荒野，卻發(fā)覺自己不只必須在嚴(yán)苛環(huán)境中奮勇求生，還得對(duì)抗一名殘忍又危險(xiǎn)的惡徒（塔倫·埃哲頓 飾）。