劇情縱覽
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街景地圖PD秀仁帶領團隊,前往傳聞詭異的殺木池水庫補拍路段畫面——此前素材中莫名出現了無法解釋的人形。團隊必須在當天完成重拍,可踏入水庫區域后,怪事接連發生:鏡頭捕捉到無人的身影,失蹤的前輩突然現身,水下傳來若有似無的低語。夜幕降臨,信號逐漸消失,成員們接連遭遇離奇狀況,黑暗的水庫深處,似乎有什么東西正循著水聲,向他們緩緩靠近。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
莎拉(艾麗莎·易默思 Alexa Yeames 飾)、托德(羅德·赫爾南德茲 Rod Hernandez 飾)、杰夫(杰森·托比亞斯 Jason Tobias 飾)、艾瑞克(安東尼·科洛 Anthony Kirlew 飾)、凱倫(斯蒂芬妮·皮爾森 Stephanie Pearson)、朱迪(凱莉·科耐爾 Kelly Connaire 飾)等六名大學生利用假期驅車游玩,途中他們的汽車爆胎。不巧的是他們拋錨的地點信號太差,四周前不著村后不著店,她們只能自己動手修理汽車。身處荒郊野外,年輕人們只能耐心等待旅途的再度開啟。誰知就在這時候,其中兩人被不知來自何方的子彈射中,相繼慘死在烈日之下??只叛杆購浡?,而無情的子彈則接二連三射向他們。 不知何時,他們已經闖入無情殺手的狩獵場,成為逃生希望渺茫的獵物……
因流感感染的死者突然復活,變成喪尸開始瘋狂撕咬活人,被咬后的活人紛紛變成喪尸,一場末日喪尸之戰自此開始...