東京思春期

巨人來(lái)襲

瘋死

　　A teenager who stops off to see his dealer to test a new drug before heading off for a night of partying. On the way home, he picks up an injured woman and the night takes a surreal turn

異端2024

中世紀(jì)荷蘭的閉塞村莊中，無(wú)法生育的弗里達(dá)被村民與教會(huì)視為不祥之人，只能在祈禱與儀式中尋求救贖。當(dāng)她從被視為禁地的森林中僥幸逃脫屠夫的騷擾并安然返回時(shí)，被村民認(rèn)定為與惡魔勾結(jié)的女巫。走投無(wú)路的弗里達(dá)，在森林中接觸到潛藏的黑暗力量，逐漸覺(jué)醒為傳說(shuō)中的“白衣女妖”，以復(fù)仇之火回應(yīng)村莊的偏見(jiàn)與壓迫。

惡夢(mèng)偵相

　　Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.

冬脊

　　一名年輕的偵探在他的妻子昏迷不醒的同時(shí)還在追捕一個(gè)連環(huán)殺手后被撕裂。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

最優(yōu)路徑

2087年，AI公司瀚海用“最優(yōu)路徑”接管人類(lèi)社會(huì)，任何不服從的人都會(huì)被系統(tǒng)抹除。執(zhí)法者林墨終于抓回叛逃的女兒林躍，以為能用“意識(shí)同步”救她一命，卻在親手把她送上手術(shù)臺(tái)后發(fā)現(xiàn)：老板要的從來(lái)不是拯救，而是把她改造成終極兵器。