即刻觀影
劇情賞析
編輯推薦
宇殺員
Shannon Hutchinson,Vito Trigo,Jasmina ParentIn the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
老阿姨
陶慧敏,李雪健,陶海電影《老阿姨》根據93歲高齡的全國道德模范龔全珍真實事跡改編。講述了開國將軍甘祖昌和龔全珍老阿姨相濡以沫三十載的故事。1950年，龔全珍（陶慧敏 飾）參軍奔赴新疆，擔任新疆八一小學教師。經組織介紹和比自己大十八歲的新疆軍區后勤部長甘祖昌（李雪健 飾）結婚。甘祖昌因戰爭中三次負傷，經常頭痛不能正常工作，要求回鄉當農民。將軍回鄉當農民，全國尚無先例，申請三年，才獲組織批準。龔全珍也隨丈夫來到江西，他們共同經歷了時代的風雨，相濡以沫、生死與共。甘祖昌去世后，龔全珍傳承甘祖昌精神，帶領子女勤儉節約、艱苦奮斗、幫助貧困家庭和失學兒童，用大愛情懷書寫自己傳奇的一生。2013年，龔全珍被評為全國道德模范，受到習近平總書記的接見，并被習近平總書記親切的稱為老阿姨。
像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿我們這樣，是愛嗎？阿妹天生患有腦性麻痹，性格卻異常跳脫樂觀，閑時會約朋友踩板吹水，畫畫作樂，二十多年來一直努力不被身體耽誤。可是過度保護的母親堅決安排她進行子宮切除手術，阿妹努力建立的生活再次失去平衡，她的身體永遠是不由自主的。在朋友推薦下，阿妹找到了一個專為殘疾人士提供性服務的自發組織，并認識了義工Ken。這無私的相遇仿佛撫慰了兩個受傷的靈魂，那日漸累積的情愫沖淡了道德與身體的羈絆，這樣的關系，是愛嗎？ 譚惠貞繼《以青春的名義》（第14屆開幕電影）后第二部長片作品，將愛情元素和身障者性權益議題融合，成就一個道德探索與自我尋找的故事。
互幫互助
黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風吹淳,草笛光子本片改編自同名小說，講述了主人公·梓失去了無可替代的摯友而止步不前，她不斷給已故好友發送信息，由此開始，意想不到的邂逅接連發生，形成了一個巨大的圈子…
大怪獸空中戰 加美拉對混沌鳥
笠原玲子,上田吉二郎,本鄉功次郎毎年夏と冬に怪獣映畫を公開する東寶との直接対決を避けて春休みに公開することになった“ガメラ“シリーズ。富士火山帯の活動で出現したギャオスは、名古屋を火の海にするが、炎を好むガメラが現れ、陸?海?空を舞臺に死闘が展開される。