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久本雅美,板野友美,田中幸太朗,仙石南青青校樹
茲旦內克·斯維拉克,利布謝·沙弗蘭科娃,魯道夫·霍辛斯基,翁德雷·維特希,丹妮拉·科拉洛娃,伊娃·赫魯波娃,魯道夫·霍辛斯基,波萊克·波利夫卡,揚·特日斯卡,伊雷娜·帕夫拉斯科娃,Miroslava Skudrnová,Alice Dvoráková,Petr Cepek,彼得·采佩克罪惡新月城
亞歷克·鮑德溫,泰倫斯·霍華德,埃塞·莫拉雷斯,妮基·韋蘭,邁克爾·希羅,溫斯頓·凱奇,安居爾·尼加姆,Maria Camila Giraldo,瑞瑪·桑帕特,Danielle Druz紅粉金剛
芳賀優里亞,多田麻美,水崎綾女,小池里奈,山口祥行,前山剛久,杉原勇武,桃瀨美咲,櫻木梨奈,三田真央,西野翔 Sh? Nishino厭女癥
中原翔子,河野知美,橫井翔二郎,淺田麻衣,內田周作,羽柴有吾,根津麻里亜,大橋將太郎,古山憲太郎荒誕一天
娜因·岡澤勒斯·諾威德,阿德里安娜·巴拉薩,卡珊德拉·錢蓋羅蒂,丹尼爾·托瓦,阿爾佛萊德·卡斯特羅,娜塔莉亞·索利安,費爾南達·卡斯蒂略,勞爾·布里奧內斯,莫妮卡·德爾·卡門,Fernando Cattori,伊爾絲·薩拉斯,Juanki Durán,ángeles Cruz同類推薦
瞬息全宇宙
楊紫瓊,許瑋倫,關繼威,吳漢章,杰米·李·柯蒂斯,塔麗·梅德爾,珍妮·斯蕾特,岑勇康,比夫·威夫,黎唯,黎明,李靜,蘇妮特·瑪尼,阿隆·拉扎爾,切爾西·戈德史密斯,克雷格·亨寧森,安東尼·莫利納利,丹·布朗,帕努瓦特·安東尼·納納肯帕諾姆,卡拉·瑪麗·喬爾簡,蘭達爾·阿切爾,埃夫卡·科瓦拉西尤斯,奧德麗·瓦西萊夫斯基,布恩·平考,蒂莫西·尤里齊,丹尼爾·施納特,西協美智子,蒂莫西·斯科特·拉爾斯頓,蘭迪·紐曼,納拉亞納·卡布拉爾,D.Y. Sao,關家永55歲的美國華裔移民伊芙琳(楊紫瓊 飾)家庭事業兩崩潰。在老父親生日大壽這天,除了要阻止女兒(許瑋倫 飾)暴走出柜、替無用丈夫(關繼威 飾)擦屁股,還得去稅務局向古板大嬸(杰米·李·柯蒂斯 飾)解釋不太妙的稅務問題。才踏進大樓電梯,軟爛丈夫竟搖身一變演起黑客帝國,聲稱自己是另一個宇宙的版本,而秀蓮也是千萬宇宙里的其中一個。還來不及理解,邪惡勢力已在多元宇宙中蔓延,世界即將毀滅,只有在這個宇宙里,“一無是處”的伊芙琳才能拯救世界……
阿炳VS梁婆婆
林德榮,梁志強,曾潔鈺,謝芷萱,曹國輝,邱昱智,張文盈,王義翔,林修丞,車志文,唐緯顏,李玉鑫,關麗燕...
糖果 ??
崔智友,高東河作為程序員工作的職場媽媽米拉,11歲的兒子東明突然被判定為“1型糖尿病”,受到沖擊。醫生說她一輩子都要注射胰島素,對此她感到絕望,但她忍住眼淚站了起來。米拉活用自己曾是工程學專業的專業,引進國內未上市的連續血糖測定儀,給東明戴上,并聯動監護人遠程監測血糖。有采血恐懼的東明使糖尿病管理變得容易,米拉的家人從低血糖休克的焦慮中解放出來。在環友會會員的請求接踵而至后,米拉開始告訴孩子們如何直接進口并聯動連續血糖測定儀,以幫助他們和兒子遭受同樣的疾病。但是,米拉被指控是未經許可的非法醫療器械,在沒有通關的情況下進口,沒有交稅。……為了家人,為了歡友會,她與世界對抗的故事將展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
陰陽路7:撞到正
古天樂,雷宇揚,李蕙敏,陳松伶,黎耀祥,吳志雄,羅冠蘭,施念慈,羅蘭當紅女歌星(李惠敏飾)隨劇組到一荒涼小島上為新歌的MV拍攝取景,坐在船中休息時總覺得水中有異物。 小島上住著為數不多的幾戶居民,民風淳樸卻也相當愚昧。 隨著拍攝進程的不斷,劇組內開始怪事不斷。劇組人員周圍總會突然莫名出現一奇怪的黑衣男子(古天樂飾)不斷打探“阿瑩”的下落。與此同時,荒山野嶺內常有一長發怪人身影出沒,嚎叫不斷,讓人毛骨悚然。 一日,女歌星與導演再次撞到黑衣男子,大膽詢問之下,男子道出了島上的一段往事...... 本片宣稱沒有黑夜的鬼片,所有外景都是在白天完成,有其獨特之處。