劇情縱覽
暫無簡介"My Normal" is the story of Natalie, a young lesbian from the Lower East Side, who's struggling to find a balance between her dreams of becoming a film maker and her lifestyle as a dominatrix.
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臻選佳作
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內敬子,佐藤緋美,白本彩奈
改編自新海誠創作的同名動畫電影，講述了一段跨越時間與距離的青澀愛情與成長故事。
獅心女孩
吉納維芙·納吉,Nkem Owoh,Pete Edochie,Onyeka Onwenu,Kalu Ikeagwu,Tega Enaibe,Swanky J.K.A.,Dika Ofoma,Peter Okoye
NetFlix上架的尼日利亞影片。當阿達澤的父親生病時，她與叔叔一起繼續經營家族生意，并在男性主導的世界里證明自己。
暗色天堂
張學友,林嘉欣,泰臣,卓韻芝,羅蘭,蘇志威,韋羅莎,衛詩雅,黃秋生,王喜
杜天明（張學友 飾）是國際慈善機構香港分部的總干事，同時也是一位非常虔誠的基督教徒，憑借著出色的口才，杜天明經常在教堂里傳教，深受信徒們的喜愛和信賴，其社會地位可以用德高望重來形容。 某日，機構里來了一位名叫蜜雪兒（林嘉欣 飾）的女助理，蜜雪兒被杜天明所散發出的成熟氣質深深的吸引了，兩人之間的距離越來越近，但礙于身份和社會地位，杜天明并不敢對蜜雪兒有任何的非分之想。杜天明即將被調到英國，出任亞洲區的總干事一職，臨行前，他決定和蜜雪兒來一場“最后的晚餐”，哪知道當晚氣氛實在太好，在車里，杜天明終究是沒有抵擋得了人性的誘惑，做出了之后改變了他一生的決定。
從今天到明天
Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.