我是愛

2.5 播放：93萬 更新：2026-07-13
主演：蒂爾達·斯文頓,馬里莎·貝倫森,阿爾芭·洛爾瓦徹

《我是愛》線上看,由盧卡·圭達尼諾導演,蒂爾達·斯文頓,馬里莎·貝倫森等演員領銜主演,影片主要講述了別名：又名: Io sono lamore/ 我愛故我在(臺) / 我即是愛 / I 富裕的家庭生活看似波瀾不驚，暗流涌動的最深處，是女主人跨越年齡膚色國別與倫理的孽情。紡織業(yè)巨富瑞吉家族，坦克雷德的妻子艾瑪Emma Recchi，作為三個大人兒女的母親，為家里一大堆煩心事操心。面對著空蕩蕩的宅邸，艾瑪倍感孤獨，小兒子小愛德華多向母親介紹了自己的朋友，廚師長安東尼奧，引郎入室，年殘情饒的女主人為之驚悚一裸，驚現(xiàn)布袋乳，一堆白肉閃亮在草叢中。。。。,我是愛"

播放通道

詳細簡介

《我是愛》線上看,由盧卡·圭達尼諾導演,蒂爾達·斯文頓,馬里莎·貝倫森等演員領銜主演,影片主要講述了別名：又名: Io sono lamore/ 我愛故我在(臺) / 我即是愛 / I 富裕的家庭生活看似波瀾不驚，暗流涌動的最深處，是女主人跨越年齡膚色國別與倫理的孽情。紡織業(yè)巨富瑞吉家族，坦克雷德的妻子艾瑪Emma Recchi，作為三個大人兒女的母親，為家里一大堆煩心事操心。面對著空蕩蕩的宅邸，艾瑪倍感孤獨，小兒子小愛德華多向母親介紹了自己的朋友，廚師長安東尼奧，引郎入室，年殘情饒的女主人為之驚悚一裸，驚現(xiàn)布袋乳，一堆白肉閃亮在草叢中。。。。,我是愛"

同類推薦

人類清除計劃5

安娜·德拉·雷古拉,泰諾克·烏爾塔,喬什·盧卡斯,卡西迪·弗里曼,萊文·蘭賓,亞歷杭德羅·埃達,威爾·帕頓,格雷戈里·薩拉戈薩,薩米·羅蒂比,威爾·布里頓,加里·諾希利,Joe Williams,Dan Mast,Kacey Montoya,Joshua Dov,拉桑德拉·吉布森,霍普·勞倫,科達·貝澤爾,肖·瓊斯,喬治·杜威,維羅尼卡·法爾孔,馬克·克雷尼克

　　故事緊接《人類清除計劃3》。從販毒集團手中脫逃的阿德拉與丈夫胡安自墨西哥來到美國得克薩斯州生活，后者在塔克家族的牧場工作。胡安深受塔克一家的族長，凱萊布的賞識，但這也讓凱萊布之子迪倫心生妒忌。但在一年一度的“人類清除計劃”過后的早上，一支地下組織意圖將殺戮繼續(xù)進行下去，讓全美陷入狂亂之中。包括迪倫妻子和妹妹在內的塔克一家也遭受波及，迫使眾人聯(lián)合起來對付暴徒，并設法逃入開放邊境僅有六小時的墨西哥。

阿瑪菲艷陽天

洛倫佐·祖佐洛,伊沙貝拉·法雷利,盧卡·沃德,路德維卡·馬蒂諾,Davide Calgaro

　　在里喬內邂逅一年后，文錢索與卡蜜拉再度重逢，前往風景如畫的阿瑪菲海岸度假，而這趟旅程也是對愛情的考驗。

演員龜岡拓次

安田顯,麻生久美子,宇野祥平,新井浩文,染谷將太,淺香航大,杉田薰,工藤夕貴,三田佳子,山崎努

　　演員龜岡拓次（安田顯），37歲、單身。作為演員，無論是配角還是什么角色都能出色演出，但是，人們卻怎么也記住不到他的名字。每一天的日常就是便宜的酒館里喝酒。直到有一天，收到了世界大物的甄選……

惡魔搬進來了

林允兒,安普賢,成東日,朱玄英

　　乖巧可愛的善智（林允兒 飾）每天凌晨都會變成惡魔，而靠打零工維持生活的青年吉九（安普賢 飾）觀察著她的變化，兩人由此產生了情愫。

嗨，媽媽！

羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment