影片推薦
曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖烏鴉
淺野忠信,瀧內公美,托比·凱貝爾,高岡早紀芭比真人版
瑪格特·羅比,瑞恩·高斯林,亞美莉卡·費雷拉,阿麗亞娜·格林布拉特,凱特·麥克金農,海倫·米倫,威爾·法瑞爾,伊薩·雷,哈莉·尼夫,艾瑪·麥基,亞歷山德拉·希普,莎朗·魯妮,妮可拉·考夫蘭,邁克爾·塞拉,康納·斯溫德爾,舒提·蓋特瓦,劉思慕,金斯利·本-阿迪爾,斯科特·埃文斯,杜阿·利帕,約翰·塞納,雷亞·普爾曼,里圖·阿亞,安娜·科魯茲·凱恩,埃默拉爾德·芬內爾,詹米·德米特魯,安·羅斯,瑪瑞薩·阿貝拉,妮基塔·查達哈,安妮·瑪莫羅,麥肯納·羅伯茨,漢娜·卡利克-布朗,斯特林·瓊斯,黛布·海特,杰西卡·家務清官
馬群,王蘇婭,浦克,李俊海,耿曉璐,徐守莉,康保民,歐陽儒秋,張百爽,吳波,朝魯,于蓮芝,魏啟儀,紀恒普,胡樂佩,江帆靈語
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國超要地球倒轉
保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹同類精選
那個孩子是誰？
澀谷凪咲,早瀨憩,山時聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司恩典
托尼·塞爾維洛,安娜·費澤蒂,奧蘭多·辛克,馬西莫·文圖列洛,米爾維亞·馬里利亞諾,朱塞佩·蓋亞尼,喬瓦娜·圭達,阿萊西亞·朱利安尼,羅伯托·齊貝蒂,Vasco Mirandola,Linda Messerklinger,Rufin Doh Zeyenouin,Simone Colombari,Alexandra Gottschlich,Lucio Zagaria,Francesco Martino,Tommaso Amadio,Guè Pequeno,Shablo,Fabrizio Bordignon大明嬪妃之攻心
宋洋,何杜娟,關慧卿,陳一諾廢世界
守株人
楊紫,駱達華,杜奕衡,劉筱筱,林雪,林妙可不能犯
松坂桃李,澤尻英龍華,新田真劍佑,安田顯,間宮祥太朗,真野惠里菜,蘆名星,矢田亞希子,菅谷哲也,岡崎紗繪,忍成修吾,水上劍星,水上京香,今野浩喜,堀田茜,小林稔侍影視排行
鬼租客
納查潘·帕拉瑪查倫羅,Aew Aumpa Phusit,波似·坡尼皮帕特·庫尼嗦,坦恩.基緹男.坎蒙功空理法密昕,馬克·納克塔赫·坎那特桑安,Boom Raweephan Siriwattana一個破產的平面設計師最終租了一個有著恐怖故事和神秘鄰居的房間。
全信沒收
馬特·達蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內斯特·卡博內爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費里爾,奇里爾·保蘭一群邁阿密警察在一間廢棄的藏身屋發現數百萬現鈔，彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀，一切變得疑點重重，到底還剩下什么可以相信？又有誰依然值得信賴？
無效郵件
小斯特林·馬塞爾,約翰·弗利克,Tomas Boykin,蘇珊·普里弗,Micki Jackson,尼克·海曼,Sean Heyman,Aaron Phifer,Brian Burke,邁卡·菲茨杰拉德,沙里夫·沃爾特斯,David Willis,Joseph Lopez,喬什·哈普,Shelby Sulak,Alyssa Brayboy,Robin D. Stanton,Jackie Green,Shelby Shea,I. Elijah Baughman一份不祥的求助信被傳到了20世紀80年代的一家郵局里，將一名死信調查員與一名被綁架的鍵盤技術員聯系起來。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster