天使心腸之紅色眩暈

★ 0.1 播放：92萬 更新：2026-06-11
主演： 石井隆/

護士土屋名美的男友是一名拍攝色情照片的攝影師，他瞞著名美與一名女模特保持著性愛關系。一天名美在上班時遭到兩名男病人的強奸，受傷的她回到家里，結果發(fā)現(xiàn)了男友的秘密。名美傷心地離開家，因為神智模糊而在路上被車撞暈過去。開車的村木哲郎是一名盜取了客戶資金后逃跑的股票經(jīng)紀人，他怕名美被警察發(fā)現(xiàn)后追蹤到自己，于是就把名美抱上了車并乘機奸污了她。名美醒來后俟機逃跑，結果又被村木給抓了回來。最終她能逃出村木之手嗎？還是會與村木發(fā)展出一段畸戀？《色膽天使》漫畫原作者石井隆在擔任了前面四部影片的編劇后，終于忍不住在第五部親自上陣做了導演，而且影片中還終于出現(xiàn)了一個大明星竹中直人。影片的主題是信任，名美因為被男友背叛和遭遇強奸而對男性徹底失去了信任，村木則雖然因為做了犯法的事情變得不敢輕易相信別人，但在內心深處也希望名能原諒他對她所做的事情并信任他。石井隆雖然是初次執(zhí)導，但對鏡頭掌控熟練，病房里強奸那段攝影機極其靈活，而影片發(fā)展不久后幾乎就只剩下兩名演員，活動空間也很有限，但都還能拍的有滋有味。不過，由于日本電影此時審查制度比較嚴格，所以在一些關鍵部位做了霧化處理，而這也是系列中唯一使用霧化處理的影片艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan

在線播放

劇情簡介

護士土屋名美的男友是一名拍攝色情照片的攝影師，他瞞著名美與一名女模特保持著性愛關系。一天名美在上班時遭到兩名男病人的強奸，受傷的她回到家里，結果發(fā)現(xiàn)了男友的秘密。名美傷心地離開家，因為神智模糊而在路上被車撞暈過去。開車的村木哲郎是一名盜取了客戶資金后逃跑的股票經(jīng)紀人，他怕名美被警察發(fā)現(xiàn)后追蹤到自己，于是就把名美抱上了車并乘機奸污了她。名美醒來后俟機逃跑，結果又被村木給抓了回來。最終她能逃出村木之手嗎？還是會與村木發(fā)展出一段畸戀？《色膽天使》漫畫原作者石井隆在擔任了前面四部影片的編劇后，終于忍不住在第五部親自上陣做了導演，而且影片中還終于出現(xiàn)了一個大明星竹中直人。影片的主題是信任，名美因為被男友背叛和遭遇強奸而對男性徹底失去了信任，村木則雖然因為做了犯法的事情變得不敢輕易相信別人，但在內心深處也希望名能原諒他對她所做的事情并信任他。石井隆雖然是初次執(zhí)導，但對鏡頭掌控熟練，病房里強奸那段攝影機極其靈活，而影片發(fā)展不久后幾乎就只剩下兩名演員，活動空間也很有限，但都還能拍的有滋有味。不過，由于日本電影此時審查制度比較嚴格，所以在一些關鍵部位做了霧化處理，而這也是系列中唯一使用霧化處理的影片艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan

導演精選

飛砂風中轉

　　和義盛坐館火水（方中信 飾）在篩選馬仔后備軍時，被一個開餐館的廚師火腩（陳小春 飾）所吸引，后者做的叫花雞味道鮮美，令他難忘。從此，他對火腩特別照顧，委以重任。找到了保護傘的火腩可以繼承祖業(yè)，跟妻子（葉璇 飾）夫唱婦隨經(jīng)營義盛小館，并盤算讓兒女進入名校就讀。正在此時，金融危機來臨，方中信遇到困難，堂主之位不保，此時他希望能夠讓火腩做接班人，穩(wěn)定軍心。然而，和義盛開山祖師后人十三妹（余安安 飾）卻力薦剛出獄的兒子燕子文（鄭伊健 飾）出任堂主之位。于是，兩個本不想做堂主的后起之秀被架上了PK臺。火腩只想安心經(jīng)營自己的飯店，而燕子文則希望進入大學進修，無心戀戰(zhàn)的兩人將面臨一場怎樣的對決呢？

異端2024

中世紀荷蘭的閉塞村莊中，無法生育的弗里達被村民與教會視為不祥之人，只能在祈禱與儀式中尋求救贖。當她從被視為禁地的森林中僥幸逃脫屠夫的騷擾并安然返回時，被村民認定為與惡魔勾結的女巫。走投無路的弗里達，在森林中接觸到潛藏的黑暗力量，逐漸覺醒為傳說中的“白衣女妖”，以復仇之火回應村莊的偏見與壓迫。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.