新監禁逃亡3：美姐妹服從守則

巴塞羅那港口工人在廢棄集裝箱里發現昏迷的安娜·里波爾，這名女子醒來后徹底丟失所有記憶，沒有證件、沒有過往線索。兩名負責本案的探探將她安置在市區醫院，頻繁襲來的零碎記憶閃回不斷侵擾安娜，片段里藏著陰暗囚籠與非法人口交易的畫面。探員帶著安娜穿梭在巴塞羅那錯綜復雜的老城街巷與偏僻碼頭，挨個尋訪地下黑市線人，零散線索不斷收攏，一處盤根錯節、裹挾多方勢力的跨國人口販賣黑網慢慢浮出水面。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　改編自斯蒂芬·金小說。是2019年那部寵物墳場的前傳。講述1969年賈德·克蘭德爾發現了一段黑暗的家族史：一個神秘墳場里被埋葬的人和動物都會復活，但事情絕沒有看起來那么簡單。

一部關于一群高中高年級學生被迫在學校度過一個周六完成一項考試，他們要么錯過了考試，要么考試不及格。一天下來，他們在自己和同學身上找到了自己的價值觀、背叛和愛。