即刻觀影
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國家韋恩：念舊
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule國家韋恩最新單口喜劇專場。
靈雀密語
Lucie Léontiadis,Anton Souverbie-Giorgis,Marina Le Guennec,Yannick Jaulin,弗朗索瓦·馬爾圖雷特,Hélène Friren,Thierry Buenafuente,Roseline Guinet,Ciboulette本片以鄉村考古為背景，講述少女露西與母親卡羅琳重返家族故地時，意外揭開一段被歲月掩埋的親情謎團。露西在兩只神秘靈雀的指引下，與好友化身“小偵探”，通過老宅殘片、褪色信件與家族舊物，逐步拼湊出曾祖母時代因戰亂而斷裂的情感紐帶。這部別致的定格動畫采用手工剪紙方式制作，創作團隊用2000個紙偶和826個布景拍攝，堪稱完成了一項不可能的工作。片中既有細膩舒緩的情緒鋪陳，也不乏快速剪輯的驚險片段。導演安東尼·蘭席奧以一段層層遞進的冒險旅程為載體，娓娓道來幾代人之間的情感牽絆，描繪出一部充滿詩意、幽默和溫情的動畫佳作。
捏造
綾野剛,柴崎幸,龜梨和也,木村文乃,大倉孝二,迫田孝也,光石研,北村一輝,小林薰2003年，福岡市的一所市立小學，發生了一起老師欺凌學生的惡性事件。一名男性教師以種族歧視為由，對“有美國人血統”的四年級學生處處找碴，施行惡毒的語言暴力和殘酷的體罰。該學生的家長對教師提起民事訴訟，550名律師自發組成原告律師團。福岡市教育委員會也對教師做出了停職處罰。行為如此惡劣的教師堪稱罕見，經《周刊文春》《朝日新聞》等主流媒體報導，引起軒然大波，涉案教師被冠上“史上最惡劣的‘殺人教師’”的名號；但欺凌事件真的發生了嗎？隨著調查的深入，事件發生了驚人的逆轉…… 影片改編自記者福田真澄2007年出版的一本書，名為《捏造：福岡“殺人老師”的真相》。
鬼影實錄：東京之夜
中村蒼,青山倫子位于東京的某區，山野一家三口過著富庶自在的生活。2010年9月3日，姐姐春花（青山倫子 飾）從美國歸來，此前她在旅行中遭遇一場車禍，致令雙腿嚴重骨折。弟弟幸一（中村蒼 飾）是個開朗陽光的大男孩，他拿著新買的攝像機拍下了山野家生活的點點滴滴。由于父親公務繁忙，平時只有姐弟二人在家。平靜的日子并未持續太久，一絲不安便在屋子內肆意彌漫。春花發現，每當次日醒來床邊的輪椅便會發生移動。為了探明真相，幸一決定在姐姐的臥房內安置攝像機，監控夜晚的情況。在屏幕前，不可思議的景象接連發生，姐弟倆似乎也陷入惡魔的詛咒中，無法逃脫…… 本片為恐怖片《鬼影實錄》的日本版。
反防御
莉諾·贊,莫里·柴金Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.