　　暑期返回夏威夷的露西（約翰尼·斯奎婭飾）與父親亞當（特洛伊·科特蘇爾飾）、妹妹艾琳及寵物黑猩猩本團聚。趁父親因工作離家，露西與好友凱特（Kate）、漢娜（杰西卡·亞歷山大飾）及凱特的哥哥尼克策劃了一場泳池派對。派對期間，本被一只患有狂犬病的動物咬傷，溫順的黑猩猩逐漸變得兇殘。眾人被迫困在泳池內，且在無法求援的絕境中，必須協作智斗發狂的本以保全性命。

沒問題2021

梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強,鄒德江,丁鶴,黃靖芯,謝昀杉,大兵

東北某市，晨報主任左守權得知與前妻生活多年的女兒，在校組建“問題樂隊”，不務正業，恐將被學校處分。老左欲將女兒留在家鄉從事鐵飯碗工作，左明明卻欲南下逐夢。老左苦口婆心勸說不成只好四處托人求助。女兒英語老師呂有容，因兒子轉學之事有求于老左，兩人化干戈為玉帛，惺惺相惜。由此引發左明明誤會其二人有茍且之事，羞怒至極，父女決裂。左明明終日與樂隊混跡夜場，幾乎放棄學業。老同學牛校長涉嫌違紀，牽連老左被停職。呂老師因和老左的一條醉酒視頻丟了工作。關乎女兒學位的英語四級考試，也只剩下最后機會。為了女兒的未來，老左找來女兒樂隊吉他手小馬協助，準備孤注一擲……

孽欲之殤

Karanvir Sharma,Mannara Chopra,Shraddha Das

　　一個花花公子搬到海濱別墅撰寫犯罪報道，在那兒他遇上一個女孩并與她墜入愛河。女孩對這段感情非常認真，但男人只把它當做逢場作戲。女孩有一個姐姐，她時常與其分享她的感情。然而她并不知道，她的男友與姐姐也在交往。在一次撞見他們上床交歡后，女孩徹底瘋了，決定伺機報復。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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沒問題2021

孽欲之殤

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