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黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz一年之癢
蘿絲·拜恩,拉菲·斯波,亞歷克斯·麥奎因,斯戴芬·莫昌特,珍·愛舍,Terence Harvey,明妮·德里弗,杰森·弗萊明,奈格爾·派納,Maisy Mazer,克萊爾·希金斯,安娜·法瑞絲,奧利維婭·科爾曼,艾麗莎·貝麗,凱莉·霍華德,黛西·海格達(dá),提姆·科伊,西蒙·貝克,約瑟夫·米爾森,黛西·唐洛范,哈西娜·哈克,潘多拉·科林,安娜·斯科萊姆,達(dá)斯汀·德姆瑞·伯恩斯,李·阿斯奎斯-柯,保羅·布萊克維爾,若昂·科斯塔·梅內(nèi)塞斯,肖恩·索爾特,瓊恩·史密斯,森內(nèi)姆·特米茲寅次郎的故事33:夜霧中的寅次郎
渥美清,倍賞千惠子,中原理惠,渡瀨恒彥,佐藤B作,前田吟,下條正巳,三崎千惠子,吉岡秀隆,太宰久雄,笠智眾,美保純巴陵竊賊
李俊峰,王麗莎,傅偉興,董洪林,臧治國,韓海華,許松源,邢濟(jì)舟,董艷博,宋文華,周民森,朱金河暗黑子午線
比利·斯洛特,戴夫·戴維斯,詹姆斯·摩西·布萊克愛情槍手
連姆·尼森,奧利弗·普萊特,何塞·祖尼加,麥克·狄羅倫佐,理查德·希夫,本·韋伯,保羅·本-維克托同類推薦
殺出香港
狄威,劉嘉玲,柯俊雄,楚原,陳欣健,沈威,盧惠光駱漢參加旅行(團(tuán))來港尋找妹妹,結(jié)識導(dǎo)游瑩瑩,瑩乃老差骨麥之侄女,駱因?qū)っ枚c匪幫汽車追逐,令麥增添不少麻煩。而匪幫頭子胡龍恐被駱發(fā)現(xiàn),決乘夜逃亡。而駱之妹被監(jiān)視,Anne欲通知駱卻被發(fā)現(xiàn),引致葬身火海,麥拖延上司,著駱帶妹逃走,惜卻給鄧世杰逃脫,且全部人等被麥之上司制服。而由于細(xì)查之下,駱原被警方列危險(xiǎn)人物,故必須將駱押送離港,最后,終能與妹玲重聚,且玲成為警方之重要證人,指證胡龍等,故胡遂著鄧向玲下毒手,結(jié)果……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
老夫子2001
謝霆鋒,張柏芝,黎耀祥,陳惠敏,張堅(jiān)庭,羅冠蘭,關(guān)寶慧,劉以達(dá),許紹雄,吳志雄,羅蘭,林雪老夫子漫畫的主編王澤決定封筆,導(dǎo)致本來衣食無憂的漫畫人物老夫子和大番薯頓時(shí)成了失業(yè)青年,兩人出盡招數(shù)找工作卻屢屢碰壁。 這日,CID峰(謝霆鋒 飾)和女友Miss張(張柏芝 飾)正因張母反對二人在一起而苦惱,老夫子和大番薯因得罪黑社會老大金爺被追殺,引發(fā)了一場大車禍。車禍中峰和Miss張失去了記憶,痊愈后兩人形同陌路。 金爺十分看好峰,認(rèn)為他是自己最合適的接班人,于是騙峰說自己是他的契爺,峰加入了黑社會。同時(shí),Miss張恢復(fù)了一點(diǎn)記憶,回到了學(xué)校教書。一次峰在拉學(xué)生加入黑社會時(shí),遇到了Miss張。峰對Miss張一見鐘情,展開了猛烈追求。Miss張因記起自己已有一位戀人而拒絕了峰,峰陷入了低谷。這時(shí),金爺發(fā)現(xiàn)峰加入后自己一直倒霉,于是準(zhǔn)備除掉峰。關(guān)鍵時(shí)候,老夫子和大番薯趕到了!
戰(zhàn)國奇譚妖刀傳劇場版
戶田惠子,井上和彥,若本規(guī)夫,矢尾一樹,鹽澤兼人,渡部猛反恐特警組:潛龍突圍
山姆·賈格,阿德琳妮·帕里奇,邁克爾·加·懷特,馬修·馬斯登,凱拉·扎戈?duì)査够?泰·奧爾森,帕斯卡爾·休頓,鄭啟蕙,扎夫·帕魯,克里斯·高瑟,瑪茜·T·豪斯,莫妮卡·甘德頓,麥克·多普德,麗莎·錢德勒,加文·克羅斯,達(dá)科塔·古比,布拉德·凱利故事發(fā)生于位于西雅圖的霹靂小組訓(xùn)練中心內(nèi),艾倫(阿德琳妮·帕里奇 Adrianne Palicki 飾)、沃德(泰·奧爾森 Ty Olsson 飾)和霍爾(山姆·賈格 Sam Jaeger 飾)是其中的骨干成員。一天,小組接到線報(bào),說在一家廢棄的貨運(yùn)中心里正在進(jìn)行毒品交易,小組隨即展開了行動,果然將交易場面撞了個(gè)正著。激烈的槍戰(zhàn)平息后,組員們在集裝箱內(nèi)發(fā)現(xiàn)了一名被綁住的男子,男子名叫蝎子(邁克爾·加·懷特 Michael Jai White 飾),他的胳膊上植入了一枚芯片,芯片里記載了幫派所有的犯罪證據(jù)。 蝎子成為了霹靂小組最重要的證人,黑幫當(dāng)然也不會對此坐視不管,他們派出了各路殺手對訓(xùn)練中心進(jìn)行了猛烈襲擊。