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同款熱播
不可思議但千真萬確
阿蘭·夏巴,蕾雅·德呂蓋,伯努瓦·馬吉梅爾,阿娜伊斯·德穆斯蒂埃,斯特凡·佩澤拉,瑪麗-克里斯汀·奧里,羅克珊·阿納爾,勒娜·拉佩,Grégoire Bonnet,Hiro Uchiyama,森本渚,Azuki Hagino,穆斯塔法·阿波拉希德,安東尼婭·布雷西,Matthieu Blanchard,Mika?l Halimi,Vanessa Philippon,米歇爾·阿扎納維西于斯Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them : what is in the basement may well change their lives forever.
秘密會議
拉爾夫·費因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭紅衣主教勞倫斯（拉爾夫·費因斯 Ralph Fiennes 飾）要負責世界上最秘密、最古老的活動：選擇新的教皇。而他發現自己處在一起陰謀的正中心，可能撼動教會最深的根基。
哥斯拉大戰機械哥斯拉
釋由美子,宅麻伸,高杉亙,友井雄亮,中原丈雄,加納幸和,小野寺華那,上田耕一,白井晃,六平直政,森末慎二,萩尾綠1999年，某個東西被卡車運出了館山市。幾天后，哥斯拉登陸了館山，特生自衛隊出動與之展開了苦戰。在戰斗中，自衛隊員家城茜（釈由美子 飾）意外害死了戰友葉山二尉（森末慎二 飾），自己卻僥幸活了下來，并被派去了資料科?！ ×硪环矫?，日本政府在柘植真智子首相（水野久美 飾）的指揮下，召集了湯原德光（宅麻伸 飾）等科學家開始研究對付哥斯拉的G兵器。他們以在館山沖挖掘出來的初代哥斯拉骨骼為基礎，用了四年制成了機械哥斯拉——3式機龍。柘植首相辭職，由科學技術廳長官五十嵐隼人（中尾彬 飾）就任新首相。同時，茜被派去了機龍隊，擔任機龍的操作員。 就在準備機龍測試機動時，哥斯拉又在東京灣出現了。機龍趕赴現場與哥斯拉對戰，卻因哥斯拉的吼聲喚醒了體內的野獸靈魂，突然暴走，在城市中造成了大破壞?！ 榱烁牧紮C龍，湯原改變了機龍DNA計算機的堿構造，使機龍不會再受哥斯拉叫聲的干擾。但由于對再次暴走的擔憂，五十嵐遲遲不允許出動機龍?！ 「缢估俣瘸霈F在東京灣，一路無視特生自衛隊的攻擊來到了品川，令城市變成了一片火海。面對如此情景，五十嵐終于同意讓機龍出動。 為了打敗哥斯拉，機龍被送到了品川。茜也抱著必死的覺悟。機龍和茜的戰斗就這樣開始了。
瑪麗·弗朗辛
瓦萊麗·勒梅西埃,海倫·文森特,德尼·波達利德斯,帕特里克·坦西瑪莉·法蘭辛遭到丈夫拋棄，工作也丟了。被迫在50歲這年，搬去和父母同住。他們把她當作小孩，還幫她開了一家電子煙店讓她管理。在那里，她邂逅了米格爾，是一名大廚，和她有相似遭遇卻不敢承認。邁入中年后，要保有年輕的心相當不容易，但瑪莉·法蘭辛證明了50歲也能活出新人生。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
遁入虛無
內森奈爾·布朗,帕茲·德拉維爾塔,Cyril Roy,Olly Alexander,Masato Tanno,Ed Spear,Emily Alyn Lind,Jesse Kuhn,Nobu Imai一場車禍奪去了父母的性命，年幼的奧斯卡和妹妹琳達發誓永不分開。成年后，奧斯卡（Nathaniel Brown 飾）漂泊來至東京，為了實現童年的誓言，他以兜售毒品賺取錢財，終于為琳達（Paz de la Huerta 飾）掙得了飛來東京的機票。兄妹相遇，卻終是隨波逐流的個體。在這個繁花亂墜迷人眼的大都會，奧斯卡繼續進行毒品交易，而琳達則在一家夜總會大跳艷舞。在一次交易時，奧斯卡遭到警察圍捕，混亂中更被槍擊身亡。他的意識漸漸脫離肉體，穿梭在東京的大街小巷，關注跟隨每一個在他生命中留下痕跡的人，等待著下一場不知何時才會開始的輪回…… 本片榮獲2009年Sitges – Catalonian國際電影節最佳攝影獎和評委會特別獎。