影片基于蘇格蘭作家阿拉斯代爾·格雷所著同名小說，融合現實主義、奇幻、科幻元素，將弗蘭肯斯坦的故事重塑，設定在維多利亞時代晚期，逃避丈夫虐待卻不幸身亡的女子貝拉（艾瑪·斯通 Emma Stone 飾），在被科學家成功復活后，心智停留在孩童階段，卻也對未知世界充滿渴望；她與放蕩律師私奔踏上挖掘自我的冒險，試圖擺脫時代對女性偏見，追求平等與性解放。

線人1973

羅伯特·米徹姆,彼得·博伊爾,理查德·喬丹,史蒂文·基茨,阿歷克斯·羅克,喬·桑托斯,米奇·瑞恩,Peter MacLean,凱文·歐莫里森,Marvin Lichterman,卡羅琳·皮克曼,詹姆斯·托根,瑪格麗特·拉德,馬修·考爾斯,Helena Carroll,杰克·基歐,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson

　　根據史上１００部偉大推理小說改編而成　　●一區標準版，全新數字修復高清版　　本片《線人》是根據史上100部偉大推理小說，改編而成，是導演彼得·葉茲經典作品之一；愛迪是一個交友廣泛的人，但世界上卻沒有是永遠的朋友；因為身邊的人，正在處心積慮地準備把愛迪重新送回監獄；為了逃脫這個悲慘命運，愛迪干起了走私軍火的生意，他把軍火賣給那些準備搶銀行和干綁架的“朋友們”但不知不覺間，這個強盜內部，似乎有警察的臥底，到底是誰呢？他們的搶劫行動到底能不能成功呢？！

NO.1

崔宇植,張慧珍,孔升延

講述了每次吃媽媽做的家常飯時都能看到倒計時數字的河玟的故事。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

安娜&潘潘雙生花鐵子們喜歡雙飛嗎

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線人1973

NO.1

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