1/2次同床

二十五世紀宇宙戰(zhàn)爭

殘酷的夏日

　　諸家老太有兩個兒子夢龍和夢飛，以及一個養(yǎng)孫國榮。16年前，一伙以張振邦為首的歹徒為了報復諸老太在公安局工作的丈夫，欲把夢龍和夢飛活埋，國榮的父親得知后，救出了兄弟倆，自己卻被燒死，諸老太為了報恩，收養(yǎng)了國榮，并且對他十分疼愛。不想，16年后的今天，國榮卻陷入了張的販毒集團。夢龍出于對國榮的愛護，在知道國榮販毒后，私下包庇他。在公安局工作的夢飛在緝拿國榮的過程中，國榮因拒捕被擊斃，夢龍被夢飛帶上了手銬。

黑神駒

 以《返家十萬里》揚名的導演卡羅爾·巴拉德一鳴驚人之作。以戲劇化的抒情風格描述一名男孩在船難中跟黑神駒同時漂流到荒島上，人與馬建立了兩位一體的非凡感情。后來他們獲救重回人類社會，巧遇老牌馬術教練，乃被訓練成出色的賽馬和小小年紀的騎師，在一次比賽中獲得冠軍。全片的攝影極為優(yōu)美動人，尤其當時的童星凱利·里諾在沙灘上跟黑神駒玩耍的場面，在視聽效果上呈現(xiàn)出大自然之美的極至。米基·魯尼飾演的馴馬師在片中也占有重要地位，一老一少和馬之間的三角互動關系爆發(fā)出感人的火花，堪稱同類影片中的一流代表作。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.