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保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹靜水城
馬特·達(dá)蒙,卡米爾·科坦,阿比蓋爾·布雷斯林,利魯·肖沃,狄安娜·杜納甘,伊迪爾·阿祖格利,安娜·勒尼,茂薩·馬斯克里,伊莎貝爾·塔納克,奈德拉·阿亞迪,吉爾伯特·特拉尼亞,威廉·納迪蘭,沙扎德·拉蒂夫,米歇爾?邦波,莎拉·布魯克斯,埃里克·斯達(dá)克,羅伯特·皮特斯鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂人,古原靖久,虎牙光揮奇跡男孩
雅各布·特倫布萊,朱莉婭·羅伯茨,伊扎貝拉·維多維奇,歐文·威爾遜,諾亞·尤佩,丹妮爾·羅絲·拉塞爾,納吉·杰特,戴維德·迪格斯,曼迪·帕廷金,布萊斯·吉扎爾,艾爾·麥金農(nóng),泰·孔西利奧,詹姆斯·休斯,凱爾·布瑞特科夫,米莉·戴維斯,莉婭·朱厄特,凱琳·布瑞特科夫,利亞姆·迪金森,艾瑪·特倫布萊,馬克·多茲勞,魯奇婭·伯納德,J·道格拉斯·斯圖瓦特,阿里·利伯特,埃麗卡·麥基特里克,本·伊曼紐爾,杰森·麥金農(nóng),索尼婭·布拉加,吉潔特凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·福克,山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano雙山阻擊戰(zhàn)
洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林同類推薦
王勝：紫色
王勝...
鬼裂面
Usamanee Waitayanon,Nathanon Narathanyawirun,Tong Archariya SrithaMay 是一名年輕的建筑師，她剛剛和男朋友 Gun 搬進(jìn)了郊區(qū)的新家，就收到了繼母 Po 的死訊。只有 Po 的女兒 Noon 作證說有人殺害了她的母親，但是似乎沒有任何明顯的證據(jù)。當(dāng) May 決定在家照顧 Noon 時，Noon 出現(xiàn)了異常癥狀，就像被鬼附身一樣。而 May 自己則因生病而開始無法入睡。Gun 于是請 Chok、Sak 和 Master Khom 來幫忙。Master Khom 立刻意識到她的房子里有過去的“黑魔法”，他要求所有人找出這種邪惡的根源。過去與大師的面部皮膚有關(guān)的不幸事件被同一門派的另一位弟子 Jong Master 移除，這就是所有這些恐怖故事的根源。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羅莎夫人
西蒙·西涅萊,Samy Ben-Youb,米莎爾·巴特阿達(dá)姆,Gabriel Jabbour,熱蕾耶·豐塔內(nèi)拉,克洛德·多芬故事發(fā)生在巴黎阿拉伯人和猶太人聚居區(qū)，那里有許多妓院。上了年紀(jì)、體弱多病的猶太婦女羅莎，負(fù)責(zé)照顧一群妓女所生的孩子，而她自己過去也曾當(dāng)過妓女，并在納粹集中營度過一段可怕的時光。影片主要表現(xiàn)羅莎夫人與她所照顧的一個阿拉伯男孩令人感動的關(guān)系。
挑戰(zhàn)未來
奧利弗·古魯內(nèi)爾,Tim Thomerson2027未來世界，恐怖主義彌漫全球，科技發(fā)達(dá)，使人類神經(jīng)系統(tǒng)可用人工磁片來取代。機(jī)器人為達(dá)到蠶食人類的大陰謀，先了綁架國際間各國領(lǐng)袖，繼而派遣機(jī)器人復(fù)制繁殖以取代世界統(tǒng)治者的霸權(quán)。洛杉磯警界的杰出人物「雨水艾力」（奧利佛·顧納飾）察覺這項陰謀，他尋求各種行動以阻止機(jī)器人的野心，而艾力身上卻已被植入百分之十三人工器官……