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宛若淑女
斯蒂芬妮·辛巴里,阿莉·加萊拉尼,比佛莉·德安姬羅,Zak Steiner,奧莉維亞·盧卡爾迪,Maddie McGuire,Corinne Mestemacher,Nick Clark,Sarah Moliski,布萊恩·威勒斯當(dāng)一位機(jī)智但相互依賴的大學(xué)女生幫助她最好的朋友交上男朋友時，她就被置之不理，第一次被迫面對成年后的現(xiàn)實(shí)。
最后的KPI
帕拉帕蒙通·伊埃猜,帕奧佩茨·查倫舒克,查納坎·拉塔納烏東,萍瑪達(dá)·柴莎索恩,黛莉娜·班楚在一家制度嚴(yán)苛的大公司從事人力資源工作的弗倫，日復(fù)一日面試新員工，觀察他們的生活軌跡。與此同時，她隱瞞了自己剛懷孕的事實(shí)，在是否將孩子帶入這個不確定世界的掙扎中，逐漸面對內(nèi)心的恐懼與矛盾。
叢林獵兇
王曉萌,王梓行,戴維,周凱,鄒博偉深山迷霧中，護(hù)林員救下遇險游客，卻陷入連環(huán)襲擊的致命迷局。槍聲驟響，同伴接連遇害，猜忌在人群中蔓延。有人利用叢林地形操控一切，木屋汽油味彌漫時，真兇幾乎得逞。危急時刻，護(hù)林員與獵犬揭開偽裝，讓精心設(shè)計(jì)的罪行在正義面前崩塌。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
生命的榮耀
亨麗埃特·肯夫里烏斯,薩賓·塔布瑞亞《生命的榮耀》的靈感來自弗蘭茲·卡夫卡和朵拉·迪亞芒之間的愛情故事。
極樂大餐
馬塞洛·馬斯楚安尼,米歇爾·皮科利,菲利普·努瓦雷,烏戈·托尼亞齊,安德烈亞·費(fèi)雷奧爾,Solange Blondeau,弗洛倫斯·焦?fàn)柦艿?Michèle Alexandre,莫妮克·肖梅特,Henri Piccoli,Maurice Dorléac,Simon Tchao,Louis Navarre,貝爾納·梅內(nèi)斯,Cordelia Piccoli,Jér?me Richard,Patricia Milochevitch,James Campbell,Eva Simonet,Gérard Boucar馬塞洛（馬塞洛·馬斯楚安尼 Marcello Mastroianni 飾）、菲利普（菲利浦·諾瓦雷 Philippe Noiret 飾）、雨果（烏戈·托格內(nèi)吉 Ugo Tognazzi 飾）和米歇爾（米歇爾·皮寇利 Michel Piccoli 飾）是四個事業(yè)有成但心靈空虛的中年男人，面對再無可戀的世界，四人決定以一種極其夸張的方式在極致的快感中迎來他們的死亡。 四人驅(qū)車來到了一幢地處偏遠(yuǎn)的別墅中，這里就是他們的死地，緊接著，一場十分荒唐卻又極盡奢華的狂歡盛宴開始了，四人徹底拋棄了作為人的屬性，任憑獸性肆虐。為了給這場死亡之宴增加亮點(diǎn)，他們邀請了三個妓女和一個小學(xué)女教師加入他們的行列。很快，對屋子里的一切忍無可忍的妓女們離開了，但小學(xué)女教師的興致似乎比這四個瘋狂的男人還有過之而無不及。