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黑仙女
安努舒卡·莎瑪,帕拉姆巴拉塔·查特吉,拉賈特·卡普爾,Ritabhari Chakraborty,Dibyendu Bhattacharya在完全印度文化的背景下，女主安努舒卡·莎瑪試過了殺人的公路驚悚片和與鬼魂相關的喜劇片后，在她制片的第三部作品中講了一個西方惡魔的故事。 從宗教勢力的追捕中僥幸逃生的惡魔之女，在母親的保護下，在山林中活到二十幾歲。母親去世后，女孩走進城市，被善良內向的男人收留?！ ∵@是一個異類不惜付出一切渴望融入人類生活，渴望愛情的故事。聯想到所有宗教都奉行的五花八門的女性禁忌，聯想到女孩的母親是因為被強迫才懷上了她，不禁感嘆:也許所有女人都是主流社會眼中的惡魔。因為愛，女人能擁有摧毀一切的力量;因為愛，女人能放下一切仇恨;因為愛，女人能犧牲一切，包括自己。世界就是被這樣的惡魔支撐著的。想盡辦法把她們趕盡殺絕的人，和她們自己，誰是真正的惡魔?作為低成本獨立制片的恐怖電影，聲效化妝場景什么的，都沒什么毛病，都在及格線以上。不過如果不像我一樣對故事這么煽情，觀眾應該會覺得故事太單薄，不夠刺激。一些觀眾群體可能會覺得不太舒服。畢竟在這部電影中，心中有愛的惡魔之女不是真的惡魔，那些站在正義一方的驅魔人才是。
時裝
安吉麗娜·朱莉,阿尼爾·阿內伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時裝周的狂熱中，三位女性在巴黎的生活中不期而遇，她們一邊應對著世界的悲劇，一邊思索著自己人生的問題：麥克斯（Maxine），一位40多歲的美國電影導演，發現自己患上了癌癥；阿達（Ada），一位年輕的南蘇丹模特，逃離了她注定的命運，卻被推入了一個充滿欺騙的世界；安吉爾（Angèle），一位在T臺幕后默默工作的法國化妝師，夢想著逃離自己的生活。
死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco TinelliClaudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.
懲罰者：最后一擊
喬·博恩瑟,杰森·R·摩爾,朱迪斯·賴特,黛博拉·安·霍爾,安德烈·羅佑,尼克·庫馬拉索斯,賈馬爾·勞埃德·約翰遜,多米尼克·曼齊諾,約瑟夫·德維托,大衛·曼努埃爾,多納爾·奧·赫萊,約翰·道格拉斯·湯普森弗蘭克（喬·博恩瑟 飾）在尋找復仇之外的人生意義時，被一股意想不到的力量拉回了戰斗。
無法在你的臉上哭泣
芳根京子,高橋海人,西川愛莉,武市尚士,中澤元紀,前原滉,林裕太,大塚寧寧,赤堀雅秋,片岡禮子,山中崇本片改編自同名小說，故事始于高一夏天，坂平陸（高橋海人 飾）與水村真奈美（芳根京子 飾）在泳池事故后靈魂互換。兩人堅信能恢復原狀，苦尋方法，然而15年過去，依舊未能換回。升學、初戀、就業、結婚、生子，他們只能以彼此的身體走完人生重大節點。直到30歲那年夏天，真奈美突然說：“我或許知道怎么換回來了?！泵\的齒輪，開始再次轉動——
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
血屋之謎
莎菲拉是一名冉冉升起的新秀主持人，她有機會主持《Percaya Ngga Percaya》的重拍版。在研究舊錄像時，她發現了一盤未播出的錄像帶，上面寫著“Rumah Darah”，這導致令人不安的超自然事件威脅到她的生命。在調查 Rumah Darah 背后的秘密時，她發現了過去的黑暗秘密，這些秘密使她的靈魂處于危險之中。