藍色六重奏

★ 1.6 播放:39萬 更新:2026-06-11
主演: David/E./Durston/

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艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan◎譯  名 藍色六重奏

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

死亡陰影

  1989年,位于賓夕法尼亞州的東部礦區麥諾斯維爾小鎮,年僅6歲的小男孩馬丁·布里斯托爾(蔡斯·佩哈切克 Chase Pechacek 飾)被人綁架。在此后的5年里,馬丁身在何處?又經歷了什么?無人知曉。  1994年的一天,父母雙亡的少女艾莉森·米勒(亞歷珊德拉·達達里奧 Alexandra Daddario 飾)隨叔叔喬納森(邁克爾·比恩 Michael Biehn 飾)搬到麥諾斯維爾居住。這個出身大城市的女孩漸漸適應了這個偏遠鄉間的生活,也結識了帥氣的男孩威廉(諾蘭·吉拉德·范克 Nolan Gerard Funk 飾)。但是新生活的陽光很快退去,那幢廢棄的農舍引起了艾莉森注意。她不知道,失蹤已久的馬丁也在黑暗中注視著他,這個男孩過早地見識了事件最為殘酷與血腥的一面……

天出血

 沙漠里流傳著一句話:天出血,人死絕。故事發生在舊時代的西北,這樣一片沙漠地帶,它講述了一個愛情悲劇故事。年青的問九因鄉鄰間缺水爭執而出逃在外,待回來時,曾與之心心相印的秀秀姑娘已被族叔迎娶,成了他的嬸嬸。水繼續威脅著人們的生存,問九的族叔為富不仁,竟以空手能否從滾開的油鍋里撈起銅錢來決定人們在綠洲的去留,他狠毒地騙問九替他撈起銅錢卻又暗地加害問九。問九奮起抗爭,砍死了族叔,被官府捉捕。牢獄未能囚住問九渴求自由的心。他一次次尋求機會越獄。數十年后,當問九逃出虎口,卻又被沙漠里的土匪抓住逼他帶路,對秀秀的愛情支撐著問九最后的生命,他再次出逃,掙扎著爬回自己的故鄉。但黃沙已無情地吞噬了這里的一切,唯有刻著綠洲村的石柱還未被淹沒。問九手撫石柱瞑目在這荒原上。荒原上,彩霞滿天。天出血,人死絕。