影片推薦
秘密會議
拉爾夫·費因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭兄妹
大泉洋,宮崎葵,瀧本美織,仲野太賀,西原亞希,七五三掛龍也,一路真輝,夏洛特·凱特·福克斯,笹野高史,波乃久里子圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩次世代機動警察:首都決戰
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁芭比之海豚魔法
Erica Lindbeck,珊農·陳-肯特,Kazumi Evans,克萊爾·瑪格麗特·克里特,Alyssya Swales靈魂燈籠
Hoang Kim Ngoc,Phu Thinh,Diem Trang同類精選
喪尸出籠:血脈
Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan鯨
布蘭登·費舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實諦·史達仁,杰西·辛克瑪麗和麥克斯
托妮·科萊特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗萊斯,艾瑞克·巴納,貝塔尼·維特莫爾,蕾妮·蓋耶,伊恩·莫利·梅爾德倫,朱莉·福塞斯,約翰·弗勞思,克里斯托弗·馬西,卡羅琳·莎士比亞-艾倫,琳恩·史密斯,邁克爾·延納RRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓孔雀鎮
基里安·墨菲,艾利奧特·佩吉,蘇珊·薩蘭登,比爾·普爾曼,喬什·盧卡斯,Paul Cram,Virginia Newcomb,Chris CarlsonNO.1
崔宇植,張慧珍,孔升延影視排行
119緊急呼叫2026 橫濱大停電
清野菜名,瀨戶康史,見上愛,一之瀨颯,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀內敬子,遠山俊也,長野博,莉子,柏原收史,丸山禮年末的橫濱消防通信指令中心異常繁忙,事故、疾病、火災與各種糾紛不斷。此時,是否引入“AI指令員”取代人工的議題引發內部對立。除夕夜突發大規模停電,全市混亂、報警激增,指令員們在極限狀態中持續接警與指揮救援。作品描繪他們直面困難時堅持工作的理由,以及“拯救他人”這一行為的真正意義。城市陷入黑暗,他們必須用僅存的“聲音”守護生命。
阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世紀50、60年代,亨利·韋斯特博士(威廉·麥鮑瑟 William Mapother 飾)創建了靈學實驗室阿提克斯研究所,針對超能力、透視、讀心術、隔空取物等邊緣學科展開研究。雖然遭遇了無數的挫折與嘲笑,但是韋斯特博士仍堅持不懈朝著目標前進。1975年,他的實驗室因某起騙局而被迫關閉,就在此時一個略顯神經質的女人朱迪思·溫斯黛德(萊亞·吉斯特德 Rya Kihlstedt 飾)被送到實驗室。她之前因傷而擁有了超能力,而其看似貨真價實的超能力迅速令見多識廣的科學家們大為折服。在這一過程中,朱迪思的能力不斷加強,甚至已經到了失控的程度?! ∵@已遠遠超出了超能力的范疇,謎團背后惡魔的身影時隱時現……
深度安靜
張孝全,林依晨,金士杰,丁寧,陳季霞,馬志翔,蔡亙晏,孟克柔影片改編自林秀赫同名短篇小說。講述諭明與依庭相遇于大學圖書館里的深度安靜區,兩人相愛并走入婚姻,正期待迎接第一個孩子。然而,依庭的意外自殺讓諭明陷入混亂與痛苦。他想起依庭在懷孕后變得異常,甚至提出離婚。自責的諭明照顧起依庭的家人,透過深入了解她的家庭后,開始理解她的行徑,以及她無法面對自己父親的原因,真相卻讓人難以接受。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.