好色元祿秘物語(yǔ)

★ 2.9 播放：38萬(wàn) 更新：2026-05-08

元祿年間，阿夏和阿7是1對(duì)出身于京都底層棺桶匠家的美麗姐妹，但是她們的命運(yùn)卻與容顏構(gòu)成鮮明對(duì)照。姐姐阿夏（ひし美ゆり子暫無(wú)內(nèi)容飾）因父親工作的緣由，委身寺廟充當(dāng)主持清海（汐路章暫無(wú)內(nèi)容飾）的小妾。她愛(ài)上了商人之子世之介（中林章暫無(wú)內(nèi)容飾），并想法離開(kāi)了寺廟，卻遭到世之介的背叛，她決心報(bào)復(fù)這個(gè)負(fù)心的男人；阿7（橘麻紀(jì)暫無(wú)內(nèi)容飾）賢惠溫順，上門女婿久松（川谷拓3暫無(wú)內(nèi)容飾）卻貪婪卑鄙，他為了錢財(cái)出賣妻子的貞操。1番爭(zhēng)執(zhí)，久松為妻子所殺，心懷慚愧的阿7許下侍奉1千個(gè)男人的悲愿，以此贖清自己的罪過(guò)。性情懸殊的姐妹倆走上了各自的求生之路……

在線播放

劇情簡(jiǎn)介

元祿年間，阿夏和阿7是1對(duì)出身于京都底層棺桶匠家的美麗姐妹，但是她們的命運(yùn)卻與容顏構(gòu)成鮮明對(duì)照。姐姐阿夏（ひし美ゆり子暫無(wú)內(nèi)容飾）因父親工作的緣由，委身寺廟充當(dāng)主持清海（汐路章暫無(wú)內(nèi)容飾）的小妾。她愛(ài)上了商人之子世之介（中林章暫無(wú)內(nèi)容飾），并想法離開(kāi)了寺廟，卻遭到世之介的背叛，她決心報(bào)復(fù)這個(gè)負(fù)心的男人；阿7（橘麻紀(jì)暫無(wú)內(nèi)容飾）賢惠溫順，上門女婿久松（川谷拓3暫無(wú)內(nèi)容飾）卻貪婪卑鄙，他為了錢財(cái)出賣妻子的貞操。1番爭(zhēng)執(zhí)，久松為妻子所殺，心懷慚愧的阿7許下侍奉1千個(gè)男人的悲愿，以此贖清自己的罪過(guò)。性情懸殊的姐妹倆走上了各自的求生之路……

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

唱歌的六個(gè)女人

　　萱島(竹野內(nèi)豐)收到父親的訃告回到故鄉(xiāng)，從萱島的父親那里繼承土地的宇和島(山田孝之)與他一起，在山路上開(kāi)車行駛時(shí)遭遇了意外事故。兩人醒來(lái)時(shí)，發(fā)現(xiàn)自己身處森林深處，被六個(gè)美麗的女人監(jiān)禁著。

A-1頭條

　　記者玲（李心潔飾）的男友Peter獲得一宗刑事案件的新聞線報(bào)，前去取證途中突然遭遇交通事故意外身亡。玲覺(jué)得事有蹊蹺，調(diào)查后發(fā)現(xiàn)一宗模特命案。女模特Helen裸死于家中浴缸，富豪之子張承志沒(méi)有不在場(chǎng)證據(jù)，但事件竟被警方低調(diào)處理，張承志的相關(guān)證據(jù)也被消除。玲為不愿男友枉死，誓要調(diào)查出事件真相，但報(bào)社總編輯曾達(dá)時(shí)（梁家輝飾）卻不愿為玲伸出援手。無(wú)奈之下，玲只好求助常常被追債的飛(黃秋生飾)與馬仔(葛民灰)幫助她調(diào)查真相。飛原來(lái)是警察出身，在調(diào)查中，他發(fā)現(xiàn)Peter的死因確有蹊蹺。隨著調(diào)查的進(jìn)行，黑暗中的黑手不斷想將玲置于死地，究竟事件的真相能否登上報(bào)紙的A1頭條？真相與言論自由的賽跑，在香港的午夜開(kāi)始。