法國作家joy

4.4 播放：34萬 更新：2026-06-13
主演： Brandy.Davis/

JOY，是法國作家JOY LAUREY，於上個世紀80年代初期創作的一系列半自傳的情愛小艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。JOY LAUREY 是作者的筆名。書中的主人公分享了這個名字，主人公是一個美法的混血超模，她周遊世界開始她的情慾冒險里程。小說出版的2年後，製片人BENJAMIN SIMON買下了小說的版權。將故事班上了銀幕。

播放通道

詳細簡介

JOY，是法國作家JOY LAUREY，於上個世紀80年代初期創作的一系列半自傳的情愛小艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。JOY LAUREY 是作者的筆名。書中的主人公分享了這個名字，主人公是一個美法的混血超模，她周遊世界開始她的情慾冒險里程。小說出版的2年後，製片人BENJAMIN SIMON買下了小說的版權。將故事班上了銀幕。

同類推薦

入主客房

圭多·卡普里諾,卡米拉·菲利皮,愛德華多·佩謝,Romeo Pellegrini

　　The morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.

無形殺機

Salvatore Samperi,Artom Simin,賈梅卡·沃恩,阿梅麗婭·康威,Aaron Scully,Sanjeev Mehra

一位孤立的私家偵探被一位朋友說服，從躲藏處出來幫助找到她失蹤的妹妹，讓那些想讓他的家人死去的人能夠找到他。

超級馬力歐銀河大電影

克里斯·帕拉特,安雅·泰勒-喬伊,查理·戴,杰克·布萊克,布麗·拉爾森,唐納德·格洛弗,本·薩弗迪,科甘-邁克爾·凱,凱文·邁克爾·理查德森,路易斯·古茲曼,伊薩·雷,格倫·鮑威爾,蘿珊娜·奧德嘉

 重返奇妙世界，探索浩瀚宇宙，羅莎塔公主、酷霸Jr.、耀西等更多驚喜角色登場，開拓更宏大酷炫的版圖，呈現更精彩紛呈的冒險。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鋼鐵少女：決戰

明日花綺羅,青柳尊哉,龍坐,ハヤテ,春田純一

　　在20XX年，日本面臨著最后一場戰爭的危機，一個軍事公司開發的“大規模毀滅性超級武器”被恐怖組織奪走。同時，半機械人的克里斯·索奧托姆（Chris Saotome）被轉換為殺戮武器，遇到了一個名叫薩拉的神秘女孩....