即刻觀影
劇情賞析
編輯推薦
狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如唐載初年，位于郊外校場倒塌的通天浮屠殘骸一夜之間復活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個校場，死傷無數(shù)。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災難。城中內外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過節(jié)的大理寺少卿裴東升。二人不打不相識，被迫一起調查此案。面對外敵的入侵，隊友的不信任，狄仁杰決心背水一戰(zhàn)，勢要查明案件的真相。
巴里·林登
瑞安·奧尼爾,馬里莎·貝倫森,帕特里克·馬基,哈迪·克魯格,史蒂文·伯克夫,蓋伊·漢密爾頓,瑪麗·基恩,黛安娜·科爾納,穆雷·梅爾文,弗蘭克·米德爾馬斯,安德魯·莫瑞爾,戈弗雷·奎格利,雷納德·洛塞特,菲利普·斯通,利昂·維塔利,喬納森·塞西爾,彼得·塞利爾,杰弗里·蔡特,伯納德·赫普頓,巴里·杰克遜,沃爾夫·卡赫勒,漢斯·邁爾,費迪·梅恩,利亞姆·雷德蒙,帕特·羅奇,多米尼克·塞維奇,約翰·夏普愛爾蘭，Redmond Barry(瑞安·奧尼爾 Ryan O'Neal 飾）從小和母親寄居在舅舅家，后來愛上了他的表姐Nora。Nora的父親卻想把她許配給一個英格蘭將軍John Quin。于是Barry向Quin提出決斗，決斗中Barry射中了Quin，誤以為將他殺 死了，匆忙逃離家鄉(xiāng)。路上他遭遇搶劫，走投無路只能加入英國軍隊。在軍隊中他才得知，其實Quin并沒有死。Barry從英軍中出逃，卻加入了普魯士軍。戰(zhàn)爭結束后他成了普魯士軍官Potzdorf的心腹，更讓他去監(jiān)視一個在普魯士的愛爾蘭間諜。Barry卻和這個愛爾蘭騎士惺惺相惜，愛爾蘭騎士帶他出入賭場，收獲頗豐。Barry覺得自己應該找個有錢的女人，于是盯上了Lyndon爵士的夫人Lady Lyndon。Lyndon爵士病重身亡，一年后，Barry和Lady Lyndon結婚，也成了一名貴族，改名為Barry Lyndon。但Lyndon爵士和Lady Lyndon的兒子Bullingdon卻十分不喜歡Barry，Barry也預感到自己的未來將會毀于Bullingdon手中.....
判決2025
里羅·得萬托,禮薩·拉哈迪安Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.
平安夜，殺人夜
羅漢·坎貝爾,露比·莫迪恩,馬克·艾奇遜,沙龍·巴杰,大衛(wèi)·勞倫斯·布朗,埃里克·阿塔瓦爾,托米·雷梅爾,大衛(wèi)·湯姆林森,伊莎·薇洛特,Rick Skene,Tom Young,馬德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾倫,Logan Sawyer,Julien Neault-Lount,安德烈婭·格里寧Cineverse制作新版《平安夜，殺人夜》，計劃于2025年底上院線。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz在一家名為“自由伊甸園”的商店里。店員“蘋果”、“櫻桃”和“無花果”私下維持著一個神秘的女巫社團，而新入職店員“南瓜”的出現(xiàn)，開始讓這份姐妹情誼遭受質疑。面對新人的挑戰(zhàn)，這群各懷鬼胎的女性不得不直面潛藏心底的幽暗，沖突也隨之演變成血腥的暴力。