影片推薦
英勇廢柴
里卡多·達林,路易斯·布蘭多尼,奇諾·達林,維羅妮卡·利納斯,麗塔·科爾泰塞,安德烈斯·帕拉,Daniel Aráoz,Carlos Belloso,Marco Antonio Caponi,Federico Berón,Luciano Cazaux,Alejandro Gigena,Guillermo Jacubowicz,José María Marcos,Ailín Zaninovich余興派對
哈里森·霍爾策,凱爾,喬丹·羅克,羅比·德馬,賈達基斯,雪萊·亨尼格,艾爾·溫特,馬特·羅杰斯,安迪·巴克利,布萊爾·安德伍德,維茲·卡利法,杰米·崔NO.1
崔宇植,張慧珍,孔升延讓我們相愛吧
瑪麗蓮·夢露,伊夫·蒙當,托尼·蘭德爾,弗朗基·沃恩,維爾弗雷德·海德-懷特,David Burns,Michael David,Mara Lynn,Dennis King Jr.,Joe Besser,Robert Banas,Joan Banks,Oscar Beregi Jr.,米爾頓·伯利,Eumenio Blanco,Chet Brandenburg,倫納德·布雷門,哈里·切希爾,理查德·科里耶,塞繆爾·柯爾特,約翰·卡拉文,平·克勞斯貝,迪克·戴爾,Ray Foster,Michael Fox機關(guān)槍少女
杉浦亜紗美極地大冒險3
Matthew Whelan,Emma Jenkins,Dermot Magennis,保羅·泰來克,Roger Gregg,艾琳·米森,Lucy Smith,Harry Weld-Moore,Justin Daniels Anene,盧克·格瑞芬,Brendan McDonald,Mary Murray,Susan Slott,Michael Sheehan,Cameron Simpson,Evan O'Connor,Michelle Read,羅爾夫·伯格,Tobias Breckl同類精選
末世家園
泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛(wèi)·達斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛(wèi)·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa綺夢之旅
瑪格特·羅比,科林·法瑞爾,凱文·克萊恩,菲比·沃勒-布里奇,哈米什·林克萊特,莉莉·拉貝,比利·馬格努森,尤維·赫希特,謝爾比·西蒙斯,朱迪·特納-史密斯,莎拉·加頓,露西·托馬斯,布蘭登·佩利亞,克洛伊·伊斯特,詹妮弗·格蘭特,賈森·克拉維茨,丹妮爾·肯尼迪,米歇爾·毛,卡拉翰·斯克格曼,詹妮弗·伍茲,布魯克·馬倫來自誰的啟示
柳俊烈,申鉉彬詛咒之家
Nzar Hussain Salami , Chrika Abarash , Karo Sawz , Sazgar Fuad , Gulan Bakir , Tofiq Salih , Faruq Jamal爆炸新聞2021
卡提克·亞利安,阿姆魯塔·蘇巴什,威什瓦吉特·普拉丹,維卡斯·庫馬爾油畫
Sarah Benavente,Chico García,Juan Antonio Hidalgo影視排行
絕世神偷
宣言,李萌萌,孫看故事的主角是鄭亦軒(宣言 飾),他出生于一個怪盜世家。多年前,鄭亦軒的父親意外去世,家境也隨之中落。鄭亦軒一直渴望成為像父親那樣的超級俠盜,即使他生活在現(xiàn)實的苦悶之中。鄭亦軒和被家人趕出門的富二代黑客紀辰(孫看 飾)成為了好友,但他們只是進行一些小打小鬧的事件,無法施展他們的絕技。然而,當他們遇到身份神秘的美女余夏(李萌萌 飾)時,他們的命運開始發(fā)生了改變。在經(jīng)歷了一番挫折后,三人決定聯(lián)手組成新的神偷團隊,展開偷盜絕世名畫的大型行動。此時的鄭亦軒并不知道這次行動背后隱藏著他父輩的秘密。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瘋狂的八人幫
迪娜·邁耶,喬治·紐伯恩,奇希·勞爾茲,Dan DeLuca,弗蘭克·威利因童年的玩伴去世,貝絲·潘特森(Gabrielle Anwar 飾)、布萊特·塞克斯(富蘭克·威利 Frank Whaley 飾)、珍妮弗·瓊斯(迪娜·梅爾 Dina Meyer 飾)、萊爾·戴伊(George Newbern 飾)、金娜·康特(翠希·羅茲 Traci Lords 飾)和韋恩·默瑞森(Dan DeLuca 飾)等6名好友重新聚首。他們曾在一所陰森的孤兒院內(nèi)長大,并共同擁有著難以忘懷的恐怖回憶。他們在故友的書房內(nèi)發(fā)現(xiàn)留給他們的遺書和地圖,按照上面的指示眾人來至一處偏僻所在,卻在地圖標注的地點找到一具高度腐爛的兒童尸體。 惶恐的眾人驅(qū)車逃離,然而迷失了來路,最終找到一幢廢棄空蕩的白色別墅落腳。至此,童年的秘密慢慢揭開,死神的腳步聲也越來越近……
政變
菲利普·努瓦雷,伊莎貝爾·于佩爾,讓-皮埃爾·馬里埃爾,斯特凡·奧德朗影片根據(jù)美國作家吉姆·湯普森的小說《POP.1280》改編,導演塔維尼埃將原著故事發(fā)生地美國南部改為30年代的北非殖民地,講述了一段發(fā)生在當?shù)鼐祛^目身上的黑色喜劇。