　　晴朗的一天，三年前痛失男友的珍娜（絲柯·泰勒-考普頓 Scout Taylor-Compton 飾）與好友瑞妮（克里斯蒂娜·尤羅爾 Christina Ulloa 飾）、邁克（邁克爾·科彭 Michael Copon 飾）以及新結識的帥氣青年伊安（特拉維斯·范·文克 Travis Van Winkle 飾）前往某個鄉村，參加當地舉行的五月節。湖畔小屋，笑語歡歌，青年男女們縱情歡樂，只有珍娜強顏歡笑，似乎久久無法從三年前的慘劇中走出。隨著夜幕降臨，四人走入桑拿室，體會無上的蒸汽享受，而危機也正一步步向他們迫近。在此期間，邁克和瑞妮突然爆發爭吵，前者奪門而出，大發雷霆，而瑞妮和珍娜、伊安稍后卻發現，他們三人卻被意外鎖在桑拿室中。　　溫度逐漸升高，而死神的腳步越來越近……

癡迷

邁克爾·約翰斯頓,印達·納瓦雷特,Cooper Tomlinson,梅根·勞利斯,安迪·里克特,Haley Fitzgerald,Darin Toonder,Chloe Breen,Anthony Pavone,Justice,Malcolm Kelner,Anthony Casabianca,Travis Beck,Kyle Blumenthal,Matthew Jackson

影片講述了一個絕望浪漫者的愿望引發超自然詛咒的故事。Woe（邁克爾·約翰斯頓飾）長期暗戀童年好友Nikki（印達·納瓦雷特飾），在一次表白失敗后，他通過一件具有“猴爪”式超自然力量的飾品許愿，希望Nikki能愛上他。但隨著愿望成真，Nikki的行為逐漸變得異常，她的偏執和人格扭曲暗示其自主意識被某種惡意實體取代。

索命暹羅之按摩師

林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇

　　莫蘭（袁百梓卉飾）擁有著一段悲慘的童年，很小的時候，她就失去了母親，然而莫蘭始終都不知道母親究竟為什么會死，這場悲劇成為了莫蘭內心里最大的謎團和黑洞。時間一年一年的就這樣過去，一轉眼莫蘭便已經長成了亭亭玉立的少女，只是，她從未放棄過想要調查當年事件真相的額念頭。　　尹正（林保怡飾）是莫蘭的師叔，在泰國經營著一家按摩院。莫蘭千里迢迢遠赴泰國尋找尹正，想要借助他的力量開始調查。哪知道來到泰國后，莫蘭的身邊開始接二連三的發生科學無法解釋的詭異事件，甚至還發生了命案，而這一切都和母親當年的死因有著千絲萬縷的關聯。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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