在線觀看
劇情提要
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan[嗲囡囡FEILIN] 寫真集系列鑒賞
暗夜精選
鬼鏡
基弗·薩瑟蘭,寶拉·巴頓,Cameron Boyce,Erica Gluck,艾米·斯馬特上帝是嗎?
卡拉·楊,馬洛里·約翰遜,加奈兒·夢奈,斯特林·K·布朗,薇薇卡·??怂?麥凱爾泰·威廉遜,埃里卡·亞歷山大,澤維爾·米爾斯,Xavier Nealy-Davis,Christina Spencer,喬賽亞·克羅斯 ,莉娜·克拉克,Justen Ross,朗達·約翰遜·鄧茨,Mark Druhet,Alisha 'LeeLah' Moore,Andreius 'Dreko Tha Prophet' Moore全境災變
伊芙·詹姆斯 Eve James,坎農·史密斯 Kannon Smith,萊琳·麥克 Lelyn Mac小大老傳
仲星火,戴兆安,劉俊翔,孫亞男,方子春,嫩娘,沈伐,高博,董奇,阿彪,魯林,姜旭蘭,黃蕓,吳二梅,李偉,方芳,孟憲文,吳建春,王劍泉,楊樹梁,胡洪,陳勇,張麗芳,王壽萍,楊桂森,才勝軍,黃廣耀,陳玉深,胡志鵬,李俠,錢劍平,姚誠東,魏賓仁,易國民養鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz怒海浩劫
李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波塘鵝暗殺令
朱莉婭·羅伯茨,丹澤爾·華盛頓,山姆·夏普德,約翰·赫德,托尼·戈德溫,詹姆斯·希金,威廉·阿瑟東,羅伯特·考普,斯坦利·圖齊,休姆·克羅寧,約翰·利思戈,安東尼·希爾德,尼古拉斯·伍德森,斯坦利·安德森,約翰·芬同系列推薦
鬼店另有主
薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯沖動2023
瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里外星精神病
Steve Baran,Jackson Berlin,Lee Tomaschefski癡狂錄
昂格利基·帕普利亞,揚·貝弗特,克里斯特斯·帕薩利斯,瓦西里斯·馬古里奧蒂斯惡魔的耳語
盧卡·奧利爾百萬誘惑
邵莊,王秀月,王冬,張路生,李洋,孟虹彤,付翠茹,李超,張金忠,李紅梅幕后花絮
天使航班電影版
本片劇情依然圍繞遺體送還公司“天使之心”展開。社長伊澤那美得知8年前身亡的戀人或許仍在世而心神動搖。萬圣節期間,公司成員奔赴世界各地處理送還事務:有人面對因嬰兒猝死而自責的母親,有人護送突然離世的明星回國,也有人送別在旅途中去世的青年。那美在墨西哥執行任務時,一邊處理逝者身后事,一邊被舊日戀情的線索牽動,在生死與思念交織中重新審視自己的內心。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.