床

9.3 播放：95萬 更新：2026-06-20
主演： 樸哲洙/Cheol-su/Park/

‘人生從床上開始，在床上結束艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。通過男人B和男人的情人E以及男人的妻子D三個人，探究人類普遍的性幻想和慾望關系的影片

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詳細簡介

‘人生從床上開始，在床上結束艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。通過男人B和男人的情人E以及男人的妻子D三個人，探究人類普遍的性幻想和慾望關系的影片

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伊莎貝拉·羅西里尼,凱爾·麥克拉克丹尼斯·霍珀,勞拉·鄧恩,霍普·蘭格

杰弗里（凱爾·麥克拉克倫 Kyle MacLachlan 飾）為了照料父親而回到了久違的家鄉小鎮，哪知道在誤打誤撞之中令一場兇殺案件浮出水面，杰弗里就此結識了負責調查此案的警察威廉斯（喬治·迪克森 George Dickerson 飾），以及他的女兒桑迪（勞拉·鄧恩 Laura Dern 飾）。桑迪告訴杰弗里，時間的真相或許和一個名叫多蘿西（伊莎貝拉·羅西里尼 Isabella Rossellini 飾）的歌女有關。　　美麗神秘的多蘿西很快就令杰弗里失去了理智，他偷偷的潛入了多蘿西家中，恰巧發現了多蘿西正在被一個名為弗蘭克（丹尼斯·霍珀 Dennis Hopper 飾）的黑幫大佬虐待的事實。此時的杰弗里才開始意識到，在自己的視線范圍之外，發生著很多黑暗而又罪惡的可怕之事。

金諜行動

杰克·吉倫哈爾,亨利·卡維爾,裴淳華,艾莎·岡薩雷斯,費舍·史蒂芬斯, 埃米特·J·斯坎倫,克里斯托弗·海維尤,科喬·阿塔,克里斯蒂安·奧喬亞·拉維尼亞,穆罕默德·阿勒·圖爾基,杰森·王,卡洛斯·巴登,科里·道格拉斯·坎貝爾,拉娜·阿拉慕丁,貢薩洛·博烏薩,卡洛斯·克勞曼斯莫勒,西爾維婭·納瓦爾,阿爾韋薩姆·希格達爾,阿列克謝·丘納耶夫

 金融公司遭十億惡意貸款，首次討要無果后，討債公司老板瑞秋挺身而出。她集結布朗克和席德組成一支精英小隊，成功奪取硬盤數據，鎖定債主曼尼的隱秘資產。隨后，小隊展開一連串精密操作，曼尼的資產帝國被迫凍結，而曼尼也終于現身談判同意還錢。但當曼尼付清了債款，金融公司卻遲遲未將曼尼的資產歸還，氣急敗壞的曼尼將瑞秋擒獲試圖進行要挾。精英小隊是否能成功將瑞秋救出，而曼尼又將受到怎樣的恐怖懲罰呢？

正念謀殺第二季

湯姆·希林

比約恩·迪梅爾的生活似乎一切盡在掌握：他已將正念的原則內化于心，辭去了壓力巨大的刑事辯護律師工作，并創辦了自己的公司。他花更多時間陪伴女兒艾米莉，與即將離婚的妻子卡塔琳娜爭吵時也更加理性，并且承擔了一項不同尋常的職責：他是兩個黑手黨家族的法律代表，而他已經巧妙地讓這兩個家族的首領銷聲匿跡。然而，盡管生活看似和諧，比約恩卻飽受內心煎熬和失控感的困擾。他為何無法享受這一切？ 　　原因在于“內在小孩”！正如他的正念教練約施卡·布萊特納所解釋的那樣，比約恩童年時期的舊傷與未解的沖突，對他的影響遠比他意識到的更深。比約恩努力治愈這些創傷，與過去和解，同時還要應對煩人的直升機父母、警察調查員、勒索以及生活中層出不窮的各種挑戰。最終，比約恩意識到，他的內心探索不僅帶來了情感上的清晰，也對他那些見不得光的活動產生了現實層面的影響。

嚴懲

瑞恩·菲利普,泰格·諾塔洛,喬伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino

　　闖蕩好萊塢失敗的演員里根·皮爾斯為工作在去往路易斯安那州的一個小鎮什里夫波特路上，被歹徒綁架至一個沼澤地附近的小屋，歹徒折磨并威脅他用推特賬戶發布并上傳妥協博文，他改如何逃脫困境？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.