斬王

1.5 播放:17萬 2026-06-11
主演: 金宰洙/

講述“朝鮮第一淫女”於于同的風流韻事....

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異形侵襲

Ian McCulloch,Louise Marleau,Marino Masé

  所謂的無船員的船攜帶咖啡駛入紐約,但是當警察和一些科學家在船上發現了船員可怕的尸體和大量的盒子裝滿綠色蟲蛋。爆炸的時候蛋溫度升高和任何人誰接觸的物質都會爆炸。現在政府介入和幸存的軍官,一名上校和一名宇航員發現這些蛋可能與災難性的火星任務有關。

教場Reunion

木村拓哉,大島優子,川口春奈,目黑蓮,福原遙,赤楚衛二,白石麻衣,染谷將太,坂口憲二

曾出現在《教場1&2》SP 和《教場 0》的部分學生、新人刑警演員回歸,為這個系列畫上句點,并揭示風間右眼被刺傷的真相。

佐藤妻夫物語

岸井雪乃,宮澤冰魚,藤原櫻,三浦獠太,田村健太郎,前原滉,山本浩司,八木亞希子,中島步,佐佐木希,田島令子,柳原晴郎

佐藤保和佐藤幸性格截然不同卻莫名投緣,一路從相識交往走到結婚生子。保曾多次參加司法考試卻屢屢落榜,沒想到陪他備考的幸卻先通過了考試,成為了職業律師。一邊是邋遢的律師妻子,一邊是被育兒壓得喘不過氣的落榜丈夫——這對夫妻之間維持著微妙的平衡,在歡笑與心酸中勾勒出一段真實的愛情故事。本片主演為憑借《惠子,凝視》獲得第77屆每日電影最佳女主角的岸井雪乃,以及憑借《利己主義者》獲得第78屆每日電影最佳男配角的宮澤冰魚。兩人的默契演繹為影片注入真實的情感張力,折射出現代社會中人與人之間的溝通困境,探討了人們與“他人”之間的理解與妥協。

葬送

蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia Ellis

  A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.

約瑟夫·門格勒的消失

奧古斯特·迪赫,達娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci

本片聚焦臭名昭著的納粹醫生約瑟夫·門格勒的逃亡軌跡,從巴拉圭的藏身之所到最終遁入巴西叢林深處,再現這名"死亡天使"流亡南美的隱秘歲月。

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.