即刻觀影
劇情賞析
編輯推薦
同學會2024
妮娜·杜波夫,比利·馬格努森,鄭智麟,蔡斯·克勞福德,黛安妮·尹,艾米·戴維森,吉莉恩·貝爾,里爾·萊爾·哈瓦瑞,西沃恩·墨菲,邁克爾·希區柯克,卡桑德拉·布萊爾,John Paul 'Juice' Caballero,Tommy Lee Ward Jr.妮娜·杜波夫、杰米·鐘、邁克爾·希區柯克、切斯·克勞福加盟喜劇片《同學會》(Reunion)，里爾·萊爾·哈瓦瑞、比利·馬格努森、吉莉恩·貝爾也出演。 聚焦一起發生在高中同學聚會上的謀殺案，故事在一場暴風雪中展開，客人們被困在一座偏遠的豪宅里。 克里斯·尼爾森(《完美約會對象》)執導，杰克·伊曼紐爾＆威利·布洛克(《永眠邊緣》)寫劇本，本周在洛杉磯開拍。
星河戰隊3：掠奪者
卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達·多諾休,瑪內特·帕特森,斯特里奧·薩萬特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格一晃十年過去，地球人和蟲族的戰爭如火如荼，愈演愈烈。某日，空軍元帥奧瑪?阿諾克（斯蒂芬?霍根 Stephen Hogan 飾）來地球人的遠方農場羅庫山視察，時任上校的強尼?瑞克（加斯帕?范?迪恩 Casper Van Dien 飾）也一同前來。在此期間，阿諾克的心智被蟲王操控，他切斷了隔離區的電力，使基地完全失去保護。是夜，蟲族對隔離區發動總攻，地球軍雖頑強抵抗，終因寡不敵眾而告敗，基地陷落。阿諾克則和一干心腹逃離，飛船迫降在OM-1行星。 瑞克因失職被軍事法庭判處絞刑，行刑之際被政府秘密部門救下。阿諾克知曉聯邦艦隊基地所在地的秘密，一旦被蟲族得知將不堪設想。因此政府高層要求瑞克帶上一隊人馬，前去營救受困的阿諾克……
圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是蘇聯偉大衛國戰爭系列史詩巨片之一部。影片盡情歌頌了蘇聯人民，在德國法西斯圍困列寧格勒的900個艱難的日日夜夜，所表現出來的頑強精神。影片及表現了蘇軍大本營對列寧格勒的戰略布防，也表現出列寧格勒市民面對生死的堅忍不拔。同時也是為數不多的蘇聯戰爭影片，客觀地表現了戰爭初期紅軍失利，以及紅軍將領伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅持為前線生產武器，以及軍隊和市民通過城市唯一與外界的通道——拉多加湖通道，運送糧食、武器和其他戰略物資的場面。該片還較為詳實地展示了希特勒攻占列寧格勒的計劃，以及紅軍與市民聯手防御，共同抗敵的畫面。這部影片，將戰爭的全景展示與戰壕細節完美地結合起來，直到今天仍不失為一部反法西戰爭的優秀影片，很值得觀賞和借鑒。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
泰勒·湯姆林森：浪女回頭
泰勒·湯姆林森泰勒·湯姆林森（Taylor Tomlinson）在她的第四部喜劇特輯《浪子回頭的女兒》（Prodigal Daughter）中，以一個關于解構信仰、處理宗教創傷、探索性取向和面對死亡恐懼的緊張新時刻回到了她的根本。
皇家酒店謀殺案
杰夫·布里吉斯,辛西婭·艾莉佛,達科塔·約翰遜,喬恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,劉易斯·普爾曼,尼克·奧弗曼,澤維爾·多蘭,謝伊·惠格姆,馬克·奧布萊恩,查爾斯·哈爾福德,吉姆·奧希爾,瑞貝卡·圖蘭,比利·威克曼,威廉·B·戴維斯,曼尼·賈希尼托,喬納森·懷特賽爾,凱瑟琳·伊莎貝爾,薩拉·史密斯故事圍繞上世紀60年代，七個心懷秘密的陌生人，在一個破舊的有著黑暗歷史的皇家酒店相遇。在宿命之夜，每個人緊握最后的機會。