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孝子賢孫伺候著
陳佩斯,趙麗蓉,丁嘉麗,魏宗萬,劉江抓住稻草的野獸
全度妍,鄭雨盛,裴晟祐,尹汝貞,鄭滿植,陳慶,申鉉彬,鄭家藍,金準韓,樸智煥,許棟元,裴振雄,林皓俊被拖走的車
蘿絲·拜恩,阿麗亞娜·德博斯,柯賓·伯恩森,多米尼克·塞薩,奧克塔維亞·斯賓瑟,黛米·洛瓦托,西蒙·雷克斯,比爾·溫克勒,湯姆·約翰遜,凱蒂·李·希爾,布萊爾·萊溫,烏拉·尤安娜·桑切斯,邦妮·羅斯,卡羅爾·希基,艾娃·門羅·塔德羅斯,Sung Yoon,利茲·溫斯坦,查德·伯里斯十一羅漢1960
弗蘭克·辛納特拉,雪莉·麥克雷恩,安吉·迪金森,迪恩·馬丁,小薩米·戴維斯,安吉·迪金森夢工廠
艾米利亞·舒勒,肯·杜肯,思文佳·永,安納托·陶布曼,尼科萊·金斯基,海納·勞特爾巴赫,萊恩·庫德里亞維斯基,Milton Welsh,丹尼斯·莫因,威爾弗里德·霍赫霍爾丁格,阿克瑟·施奈伯,Lea Fa?bender,薩比娜·巴斯,艾蓮娜·薩爾瓦·岡薩雷斯,亞歷山大·雅辛,托拜厄斯·勞特伯格泰國派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat同類推薦
超高效理論
拉克蘭·伍茲,David Whiteley,Jane Allsop,羅伯特·泰勒,諾亞·泰勒,Chan Griffin,Brett Cousins,Andrew Ryan,Dafna Kronental,杰西卡·克拉克,Ned Manning,Natasha Herbert,Tony Rickards,Catherine McClements,歐嘉·瑪凱耶娃,戴米恩·希爾,約翰·布魯普頓一家走下坡路的澳大利亞銀行遇到了一個神秘的HR導師麥克斯·門科奧弗和他的自稱會提高公司工作效率的改革策略——把雇員變成無自我意識的工作機器。這一切正如男主角所畫的未完待續的漫畫書的故事情節一樣。男主角僥幸沒有被下藥,他試圖和女主角一同打敗壞角色、拯救同事并收獲愛情。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
好孕上錯門
Mira Bartuschek,Julia Becker,佩嘉·費多尼,貝蒂娜·齊默爾曼,克里斯托弗·M·歐赫特,Kai Schumann,Lara Mandoki,Marc Ben Puch,Arnel Taci,約書亞·格羅斯,Leonard Rosik,Vinzenz Wagner四對夫妻面臨懷孕期的酸甜苦辣。生殖醫學診所弄錯了兩對夫妻的受孕過程,40多歲的診所負責人夫婦意外發現他們要當爸媽,Liane想要孩子,但她的伴侶卻不想定下來。
忽然遇見你
Shahid Kapur,Kareena Kapoor,Pavan Malhotra,Tarun Arora,Dara Singh一次偶然中,艾迪特(沙希德·卡潑爾 Shahid Kapoor 飾)在火車上遇見了名為吉特(卡琳娜·卡普 Kareena Kapoor 飾)的女子,通過交談,艾迪特得知吉特有一個相戀已久的男友安舒曼(Tarun Arora 飾),于是幫助吉特離家出走,去和安舒曼雙宿雙飛,而自己也回到了家中,承擔起了家族企業那沉重的負擔。時間流逝,艾迪特的心中一直沒有忘卻勇敢堅強的吉特。 直到吉特的家人找到艾迪特之時,他才知道,吉特并沒有能夠和安舒曼在一起,他去找安舒曼,卻發現此人是一個薄情寡義的混蛋,他對吉特避而不見,無處可去的吉特只能暫時在修道院中寄宿。艾迪特找到了吉特,說服她回到家人身邊,然而,就在吉特答應之時,安舒曼卻改變了態度,忽然出現在了吉特的眼前。
亞瑟王:神劍崛起
Adam Byard, Annes Elwy, Gavin Swift , See full cast & crew在卡姆蘭戰役結束的19年后,人們的記憶中仍然揮之不去亞瑟王的傳奇,但他已成為時代的一部分,沉入了歷史的深海,留下的只有無限的榮耀和傳說。王者之劍也在傳說中找到了自己的歸宿,在湖底的水域中,與湖中仙女相依相伴。然而,盡管亞瑟王和他的傳奇已逝去,世界仍然未能擺脫黑暗勢力的威脅,暗流涌動,戰爭的陰影仍在悄然醞釀之中。亞瑟王的忠誠騎士貝德維爾和睿智的大法師梅林,一直在尋找著能夠承擔起與黑暗對抗的命運之人。 意外之中,他們找到了亞瑟王的私生子歐文。歐文從小喪母,成長于社會的最底層,卻擁有一顆善良而勇敢的心。當梅林告訴他他的真實身份和重要使命時,歐文心生迷茫,他不確定自己是否真的是國王的后裔,是否擁有足夠的力量來與最強大的敵人莫德雷德和邪惡女巫摩根娜抗衡。