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鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien在順化的陶瓷馬賽克工藝世家中，心愛(ài)的長(zhǎng)孫離奇死亡，使梅比奇求助于「靈貓」復(fù)活孫子，沒(méi)想到惡鬼也隨之而來(lái)，開(kāi)始發(fā)生一連串噩夢(mèng)般的神秘事件…。
大進(jìn)軍——南線大追殲
馬紹信,孫飛鵬,田景山,古月,趙恒多,邵宏來(lái),陳征,張甲田,馬群,曹培昌,楊寶龍,張?jiān)屏?李緒良,王虎城,秦昭,孫維民,王躍進(jìn),周藝華1949年春天，三大戰(zhàn)役勝利后，第四野戰(zhàn)軍遵照朱總司令和毛主席（古月 飾）關(guān)于“向全國(guó)進(jìn)軍”的號(hào)令，在司令員林彪（馬紹信 飾）統(tǒng)帥下，揮師南下，直搗湖廣。我軍分三路發(fā)起追殲，一路由十二兵團(tuán)直取長(zhǎng)沙，二路由四兵團(tuán)、十五兵團(tuán)及兩廣縱隊(duì)發(fā)起湘贛戰(zhàn)役。第三路十三兵團(tuán)攻打鄂西守?cái)常捎谒囊皯?zhàn)士大部來(lái)自北方，此時(shí)正逢夏季，一時(shí)水土不服、疾病肆虐，給部隊(duì)造成嚴(yán)重困難。桂系將領(lǐng)白崇禧（田景山 飾）布兵設(shè)伏，我軍一度受損。按照軍委布署，四野首長(zhǎng)及時(shí)總結(jié)經(jīng)驗(yàn)教訓(xùn)，發(fā)起一系列重要戰(zhàn)役，解放了中南地區(qū)大部。隨后，部隊(duì)乘勝追擊......
異形：奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費(fèi)恩,吳愛(ài)玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖影片時(shí)間線設(shè)定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間，圍繞一群年輕而勇敢的太空殖民者展開(kāi)。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活，在冒險(xiǎn)探索一座廢棄的太空站時(shí)，意外遭遇了宇宙中最可怕的生命體——異形。 狹窄幽暗、危機(jī)四伏的空間站中，大逃殺的序幕已經(jīng)被無(wú)情拉開(kāi)，人類(lèi)再次成為異形生物捕獵的目標(biāo)。在無(wú)盡的黑暗與死亡威脅的籠罩之下，太空探險(xiǎn)隊(duì)員們能否在每一次心跳的瞬間，察覺(jué)到未知生物潛伏的絲絲寒意？在這場(chǎng)你死我活的追逐戰(zhàn)中，他們將直面怎樣的信任挑戰(zhàn)和道德掙扎？當(dāng)一個(gè)又一個(gè)同伴被殘忍吞噬，求救無(wú)門(mén)的他們究竟能否在這場(chǎng)太空殺戮中尋得一線生機(jī)？
一勺巧克力
沙梅克·摩爾,帕麗斯·杰克遜,布萊爾·安德伍德,RJ·賽勒,艾默莉·克魯奇菲爾德,邁克爾·哈爾尼,Harry GoodwinsThe film follows an ex-military convict who leaves the city for a small town where he ends up finding love, danger and more trouble than he can handle.
阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡(jiǎn)·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔講述了一位有抱負(fù)的女演員在模擬伊拉克戰(zhàn)區(qū)的美國(guó)軍事訓(xùn)練基地工作的故事。
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.