即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
風(fēng)中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達(dá)洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾29歲的洛朗正在尋找人生的意義。他最終來到一個淡季的廢棄滑雪場，很快融入了當(dāng)?shù)厣贁?shù)居民的奇特生活。當(dāng)冬季來臨游客涌入時，洛朗卻發(fā)現(xiàn)自已已無法抽身……
戰(zhàn)爭藝術(shù)家
埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬希·布萊克,喬什·祖克曼,尤金·里皮斯基,達(dá)里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達(dá)爾曼,Rebecca Dykstra,Craig Erickson根據(jù)約瑟夫和麗貝卡·鮑在普拉佐集中營的婚禮被斯皮爾伯格的辛德勒名單紀(jì)念的真實故事改編。Bau，《戰(zhàn)爭中的藝術(shù)家》是一部戰(zhàn)爭劇/愛情故事/間諜故事，在這個幸存者正在死亡、大屠殺正在從記憶中消失的時代需要講述。約瑟夫在營地里運用他的藝術(shù)技巧，活了下來，幫助數(shù)百人逃走。奇跡般地，他在絕望中找到了愛。一種將持續(xù)一生的愛。幾年后，當(dāng)他被傳喚為殘酷的納粹軍官受審的關(guān)鍵證人時，他被重新帶回了大屠殺的生動記憶中。納粹軍官折磨了他并殺害了他的父親。現(xiàn)在，他呼吁這種愛和精神的韌性來面對他過去的終極惡魔。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
三塊廣告牌
弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬內(nèi)克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達(dá)·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘米爾德雷德（弗蘭西斯·麥克多蒙德 Frances McDormand 飾）的女兒在外出時慘遭奸殺，米爾德雷德和丈夫查理（約翰·哈克斯 John Hawkes 飾）之間的婚姻因此走到了盡頭，如今，她同兒子羅比（盧卡斯·赫奇斯 Lucas Hedges飾）過著相依為命的生活。一晃眼幾個月過去了，案件仍然沒有告破預(yù)兆，而警方似乎早已經(jīng)將注意力從案子上轉(zhuǎn)移了開來。被絕望和痛苦纏繞的米爾德雷德租下了高速公路邊上的三塊巨型廣告牌，在上面控訴警方辦案無能，并將矛頭直接對準(zhǔn)了警察局局長威洛比（伍迪·哈里森 Woody Harrelson 飾）。實際上，威洛比一直隱瞞著自己身患絕癥命不久矣的事實。因為這三塊廣告牌，米爾德雷德和威洛比的生活發(fā)生了翻天覆地的變化。
這個男人來自地獄
肖恩·派特里克·弗蘭納里,喬丹·貝爾菲,小詹姆斯·希利,埃里克·漢森,斯特里奧·薩萬特,卡梅倫·阿內(nèi)特,賈瑞特·勒馬斯特,羅伯特·皮特斯,湯姆·歐默,薩拉·埃爾南德斯,蒂娜·托納,莫拉·科西尼,馬克·德亞歷山德羅,森約·阿莫庫,丹尼爾·馬丁·伯基在計劃被處決的當(dāng)天，一名被定罪的連環(huán)殺手接受了精神病評估。在評估期間，他聲稱自己是一個惡魔，并進(jìn)一步聲稱，在評估時間結(jié)束之前，精神病學(xué)家自己將犯下三起謀殺案。Steve Deace所撰寫的宗教題材暢銷書A Nefarious Plot的前傳電影。