劇情簡(jiǎn)介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan意大利經(jīng)典藝術(shù)片類型，片中女主角Lilli Carati： 曾參演過《綿綿雨夜》 《成為大人之前》 《Alcova, L舞出彩虹》等知名影片，
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害蟲2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費(fèi)尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪?shù)隆どＹだ?阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內(nèi),Aicha Ameddah孤獨(dú)青年在住宅大樓自設(shè)昆蟲館，把各種昆蟲和爬蟲類視為寵物，蝎子蜈蚣愛不釋手。新寵兒是一只外來蜘蛛，暫時(shí)給它一個(gè)安樂窩，只是掌上明蛛求生欲強(qiáng)，它要逃離禁室，不斷繁衍。后代變種奪命巨蛛，大樓到處結(jié)滿蛛網(wǎng)，居民陷入一片恐慌。基于公眾安全理由，警方封鎖現(xiàn)場(chǎng)所有出口，死里逃生更是難上加難。凡尼切克首部長片，直視無孔不入的致命威脅，觸及社會(huì)的階級(jí)歧視，勾起封城恐懼，善用特效與場(chǎng)景空間，拍出令人毛骨悚然血壓狂飚的蛛殺危機(jī)。
分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin在一次尋常的大學(xué)生家庭派對(duì)上，荷爾蒙過剩的青年們盡情玩耍。然而當(dāng)晚卻發(fā)生了一起血腥慘劇，數(shù)名校隊(duì)運(yùn)動(dòng)員在地下室玩俄羅斯輪盤賭，最終導(dǎo)致4人身亡。在此之后，蘭普金警探（Orlando Jones 飾）受命調(diào)查此事，并走訪了死亡大學(xué)生所在的教會(huì)學(xué)校。通過對(duì)死者朋友們的盤查，他將盤問對(duì)象所定在喬納（Edund Entin 飾）和賽斯（Gary Entin 飾）身上。 喬納和賽斯是一對(duì)俊美的雙胞胎，他們有著極高的智商，卻為周圍的同學(xué)所不容，共同視他們二人為怪胎。他們雖然經(jīng)常拿著攝像機(jī)在學(xué)校走來走去，不過早已被他人當(dāng)作空氣。隨著蘭普金調(diào)查的深入，這對(duì)神秘兄弟的關(guān)系也變得越來越微妙……
超級(jí)馬力歐銀河大電影
克里斯·帕拉特,安雅·泰勒-喬伊,查理·戴,杰克·布萊克,布麗·拉爾森,唐納德·格洛弗,本·薩弗迪,科甘-邁克爾·凱,凱文·邁克爾·理查德森,路易斯·古茲曼,伊薩·雷,格倫·鮑威爾,蘿珊娜·奧德嘉重返奇妙世界，探索浩瀚宇宙，羅莎塔公主、酷霸Jr.、耀西等更多驚喜角色登場(chǎng)，開拓更宏大酷炫的版圖，呈現(xiàn)更精彩紛呈的冒險(xiǎn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
未死之軀
Dujdao Duangpradab,Amy Siriya厭倦了逼仄臟亂的小公寓，正值青春年少的美麗女孩冰通過網(wǎng)絡(luò)找到一所寬敞闊氣且租金極為便宜的大房子，事不宜遲，她連忙致電屋主預(yù)約時(shí)間，并叫上同公寓好友妮娜隨她一同看房。雖然妮娜對(duì)該房第一印象不佳，卻無法改變冰的決定。不久之后，滿心歡喜的冰搬入新居，誰知從第一天開始便有怪事在身邊發(fā)生。在此之后，種種詭異事件交替發(fā)生，甚至冰的意識(shí)也受到侵襲。擔(dān)心好友的安危，妮娜趕來冰的身邊。 只是恐怖事件并未就此告一段落，仿佛被詛咒了一般，美麗女孩落入充滿玄幻和恐怖氣息的死亡陷阱之中……
籠困
Arié Elmaleh,Zoé Félix,Goran Kostic20年前，社會(huì)主義國家南斯拉夫解體，奉行主義的更迭并未改變東歐這片多災(zāi)多難土地的命運(yùn)。戰(zhàn)火持續(xù)，人民罹難。時(shí)至今日，硝煙仍未從這里散去。卡蘿爾（祖兒·費(fèi)利克斯 Zoé Félix 飾）、馬提亞（埃瑞克·薩文 Eric Savin 飾）、薩米爾（Arié Elmaleh 飾）是來自法國的救援小組成員。在完成任務(wù)后，他們驅(qū)車返回祖國。然而必經(jīng)之路上有士兵把守，為了不浪費(fèi)時(shí)間，薩米爾建議抄小路前進(jìn)。這一決定將他們引入一條黑暗之途，行至半路，三人被一群全副武裝的不明身份者綁架。在此后的數(shù)日內(nèi)，他們?nèi)魂P(guān)在不見天日的籠子里。 對(duì)于對(duì)方的動(dòng)機(jī)卡蘿爾他們?nèi)徊恢挥袩o盡的恐懼伴隨左右，而死神的腳步也在慢慢逼近……
獵字99號(hào)
高保成,田華,張力維,洪學(xué)敏,陳惠良,里坡,孫憲元,林默予,傅泰增,陳佩斯,劉磊,霍德集,陽藝,車毅,王菁,劉龍,鄭綏旭,周楚,莽一萍夜深人靜，萬籟俱寂。一個(gè)全身包裹十分嚴(yán)實(shí)的神秘身影出現(xiàn)在八一七廠的廠區(qū)內(nèi)，他一步一步走上辦公樓，進(jìn)入圖紙室打開保險(xiǎn)柜，拿出了海軍裝備的“獵字99號(hào)心臟分機(jī)”圖紙進(jìn)行拍照。原來他是受敵對(duì)勢(shì)力指派的一名間諜，其盜取了重要的軍事機(jī)密將為我國國防事業(yè)建設(shè)造成巨大的損失。工廠女工無意間瞥見間諜逃脫的身影，偵察科長趙群（陳惠良 飾）和年輕的女偵員陳敏（張力維 飾）接到報(bào)警后以最快的速度趕到八一七廠。經(jīng)過縝密調(diào)查，趙群確定這與八年前曾經(jīng)意圖作亂的間諜AC大有干系，因此必須在AC將圖紙送出國之前抓到這條老狐貍。與此同時(shí)，特務(wù)機(jī)構(gòu)命令小特務(wù)（陳佩斯 飾）偽裝成海外華僑楊其昌與AC接頭。時(shí)間在一分一秒地流逝，正邪之間的較量到了最后關(guān)頭……