負(fù)責(zé)會(huì)員情況的秘密菜單

★ 6.5 播放：19萬 更新：2026-06-17
主演： 未知/

郁美是一家會(huì)員酒吧的女艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她的酒吧有一份秘密菜單。羽田來酒吧工作面試。開始采訪的郁美讓他脫掉衣服。郁美的酒吧居然有一份男女平等的秘密菜單

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劇情簡介

郁美是一家會(huì)員酒吧的女艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她的酒吧有一份秘密菜單。羽田來酒吧工作面試。開始采訪的郁美讓他脫掉衣服。郁美的酒吧居然有一份男女平等的秘密菜單

導(dǎo)演精選

崢嶸歲月

 1976年，“四人幫”在平陽市的代理人，市委書記李孟良突然宣布把非法關(guān)押的“903”工程總指揮龔放釋放回家。幫派分子孔靜，帶著“四人幫”的卑劣陰謀來到平陽市。他要李孟良一伙兒表面上同意恢復(fù)龔放的職務(wù)，暗中對(duì)國家重點(diǎn)項(xiàng)目“903”工程進(jìn)行破壞，然后把責(zé)任推到龔放身上。后來，李孟良一伙兒探得“四人幫”垮臺(tái)的消息，企圖燒死龔放等人滅口，市委書記廖平山帶領(lǐng)戰(zhàn)士和群眾及時(shí)趕到，救出龔放等人，并告訴他們“四人幫”已經(jīng)被粉碎。

盲目交易

 故事背景設(shè)定在1970年，影片對(duì)1922年同名的失傳無聲電影進(jìn)行了重新演繹。一個(gè)絕望的年輕人與一個(gè)精神失常的醫(yī)生達(dá)成了一項(xiàng)黑暗的交易，他將自己的母親作為實(shí)驗(yàn)對(duì)象，供這位醫(yī)生進(jìn)行其扭曲的實(shí)驗(yàn)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.